Magic, Pretended Miracles, and Remarkable Natural PhenomenaAnonymous
History
Magic, Pretended Miracles, and Remarkable Natural Phenomena
Anonymous
Curiosities and wonders; Magic; Miracles
The most curious specimen of minute workmanship, however, with which
we are acquainted, is a high-pressure engine, the work of a watchmaker
having a stand at the Polytechnic Institution, and first exhibited in
1845. Each part was made according to scale, it worked by atmospheric
pressure, in lieu of steam, with the greatest activity, yet it was so
small, that it stood on a fourpenny-piece, with ground to spare, and,
with the exception of the fly-wheel, it might be covered with a thimble.
D’Alembert describes a flute-player, constructed by Vaucanson, which
he saw exhibited at Paris in 1738. The writer has also seen one, in
which a figure appeared seated, and then rose and played a tune, the
motions of the fingers seeming to accord with the notes. He cannot
answer for the music having been produced by the movements of the hands
of the automaton. D’Alembert affirms, however, that the automaton of
Vaucanson really projected the air with its lips against the embouchure
of the instrument, producing the different octaves by expanding and
contracting their openings, giving more or less air, and regulating the
tones by its fingers, in the manner of living performers. The height
of the figure, with the pedestal, containing some of the machinery,
was nearly six feet; it commanded three octaves, several notes of
which musicians find it difficult to produce. Some years ago, two
automaton flute-players were exhibited in this country, of the size of
life, which performed ten or twelve duets. That they actually played
the flute might be proved, by placing the finger on any hole that was
unstopped for a moment by the automata.
M. Vaucanson produced a flageolet-player, who beat a tambourine with
one hand. The flageolet had only three holes, and some notes were made
by half-stopping these. The lowest note was produced by a force of
wind equal to an ounce, the highest by one of fifty-six French pounds.
A duck was, however, considered to be his chef-d’œuvre; it dabbled in
the mire, swam, drank, quacked, raised and moved its wings, and dressed
its feathers with its bill; it even extended its neck, took barley
from the hand and swallowed it, during which process the muscles of
the neck were seen in motion, and it also digested the food by means
of materials provided for its solution in the stomach. The inventor
made no secret of the machinery, which excited, at the time, great
admiration.
Public-domain text, read in full here on John Shaqi.
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