Magic, Pretended Miracles, and Remarkable Natural PhenomenaAnonymous
History
Magic, Pretended Miracles, and Remarkable Natural Phenomena
Anonymous
Curiosities and wonders; Magic; Miracles
Dr. Chladni made many curious experiments on the figures assumed by
sand and similar substances, when strewed over vibrating sonorous
bodies. The reader may easily try an experiment of this kind. Let a
square piece of glass be taken, such as that used for windows, not less
than four or five inches over, the edges of which are to be smoothed
by grinding. Spread over the plate, as evenly as possible, a little
sand, and, holding it between the thumb and fore-finger, in the middle,
pass the bow of a violin against one of its edges, drawing it either
upwards or downwards, in a direction perpendicular to its surface. A
tremulous motion will be immediately observed, and the sand will assume
some particular and fixed figure. If the bow be passed over the middle
of one of the sides, the sand will arrange itself in the direction of
the two diagonals, dividing the square into four isosceles triangles.
If the bow be applied at any point which is one-fourth the length of
the square from any angle, the arrangement of the sand will represent
the two diameters of the square, dividing it into four equal figures
of the same form. If the square be held at the two extremities of
either diameter, and the bow be applied to the extremities of the other
diameter, the sand will take the figure of an oval, having its major
axis in the same direction as one of the diameters.
Other experiments of the same kind have since been made by M. Voigt,
and also by the celebrated Oersted. The latter covered a plate of
metal or glass with the lycopodium seed, or the seed of the club-moss,
instead of sand; he then tried to produce a sound in the manner of
Chladni, and instantly he saw the dust distribute itself into a number
of little regular tumuli, which put themselves in motion at their
extremities, or formed the figures discovered by this naturalist. They
always ranged themselves in the form of a curve, the convexity of which
was in proportion to the point touched by the violin bow, or towards
the point which has an analogous situation; the nearer that each of
these little heaps was to these points, the greater was its height,
a circumstance which gave remarkable regularity to the figure. The
interior of the small elevations thus obtained, were in constant motion
during the continuance of the sound, and the duration of the vibrations
might be observed on a plate from four to six inches in diameter. At
one moment the height increased, at another it diminished, and the dust
had the appearance of arranging itself in small globules, which rolled
one above another.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account