Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
1521 Cesare Cesariano, an architect and writer on art, asserts
in his introduction to a new edition of Vitruvius that a
Benedictine monk, Don Papnutio or Panuce, constructed a
satisfactory _camera obscura_. Construction details are given
for the first time in a published work.
1540 Erasmus Reinhold uses a _camera obscura_ to observe an
eclipse of the sun at Wittenberg. Ancient astronomers had
found it impossible to observe an eclipse unless there were
clouds in the sky or the sun was near the horizon to cut
down the light.
1550 Girolamo Cardano, an Italian physician and mathematician,
describes how the box _camera obscura_ can be used
for entertainment purposes.
1558 Giovanni Battista della Porta of Naples writes of making
many light and shadow devices and earns the right to the
title, “first screen showman.”
1568 Monsignor Daniello Barbaro introduces the projection
lens in the _camera obscura_.
1585 Giovanni Battista Benedetti, a patrician of Venice, publishes
the first complete and clear description of the _camera
obscura_ or box camera equipped with a lens.
1589 Porta’s book, _Natural Magic_, reprinted with a new section
on the use of the _camera obscura_ for entertainment
purposes.
1604 Johannes Kepler explains the use of the “dark chamber”
device for astronomical work.
1612 Christopher Scheiner, a German priest, uses the device to
study sun spots.
1613 François d’Aguilon, another priest, stimulates the study
of all branches of optics and is the first to coin the name
“stereoscopic.”
1620 Sir Henry Wotton, diplomat and author, gives one of the
first descriptions in English of the _camera obscura_ for
drawing purposes. He describes a portable tent camera.
1626 Willebrord Snell promulgates his “law” on the angles of
reflection and refraction, essential data for grinding and
polishing lenses and other phases of advanced optics.
1644
or Athanasius Kircher invents the magic lantern at Rome.
1645 This is the first projector of magic shadows.
1646 Kircher’s book, _Ars Magna Lucis et Umbrae_, “The Great
Art of Light and Shadow,” is published.
1652 Jean Pierre Niceron shows how irregular figures can be
made into plain figures through a mirror projection lens
system.
1658 Gaspar Schott develops Kircher’s projection lantern in his
_Wonders of Universal Nature and Art_.
1665 Walgenstein, a Dane, shows a Kircher-type magic lantern
in France and elsewhere.
1669 Robert Boyle furthers interest in magic shadows with a
description of a “Portable Darkened Room” in his _Systematic
or Cosmical Qualities of Things_.
Public-domain text, read in full here on John Shaqi.
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