Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
To a contemporary of Kepler goes the acclaim for being the first to use
the _camera obscura_ apart from a room; in other words, in a portable
form. Thus was the first portable camera developed more than two
hundred years before photography was invented. The man was Scheiner,
another astronomer.
Christopher Scheiner, a German Jesuit, born about 1575 in Swabia,
did much work in astronomy and perfected various ingenious optical
instruments. Some say he was the first to use the camera projection
device for throwing the sun’s image on a screen in order to study its
details. This replaced a system which used colored glasses. Kepler,
prior to this, suggested the method but it is generally acknowledged
that Scheiner made the first application. In 1610 Scheiner invented
his Pantograph or optical copying instrument. In March, 1611, he
observed sun spots. His superiors were afraid that he and they would be
exposed to ridicule if he were to publish such a discovery under his
own name--it was so opposed to the contemporary scientific as well as
traditional scientific belief. And so his findings were published in
1612 by a friend, under an assumed name.
Scheiner was a believer in the need for accuracy in experiments to
form a firm basis for future development of theory. He studied the
eye and believed that the retina was the seat of vision. By the year
1616 he had so attracted attention of scientists that the Archduke
Maximilian invited him to Innsbruck. Scheiner taught mathematics and
Hebrew and continued his work in optics. He was the author of _Rosa
Ursina_,--1626–30, the standard work on the sun for generations. In
1623 he was a professor of mathematics at the Roman College, where
Kircher fell under his personal influence. The last years of Scheiner’s
life were spent at Neisse in Silesia, where he died in 1650.
Scheiner was influenced by François d’Aguilon, the first of several
Jesuits who made an important contribution to what was to be the modern
motion picture. D’Aguilon advanced the knowledge of optics throughout
Europe.
D’Aguilon was born in Brussels in 1566 and after entering the Jesuits
in 1586 and being educated he became a professor of philosophy at the
famous college in Douai, France. Later he was head of the College of
Antwerp. D’Aguilon did not confine his interests to philosophy and
speculative knowledge alone but was very much interested in certain
sciences, notably optics. Moreover, he was a practicing architect and
probably designed the Jesuit church at Antwerp.
Public-domain text, read in full here on John Shaqi.
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