Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
The commander sent out a patrol, which returned with the
information that the Germans were projecting the image from a
machine on the ground.
Phantasmagoria is not dead yet. Television may even increase the
possibilities of this type of magic shadow diversion.
_X_
DR. PARIS’ TOY
_An English physician, Dr. Paris, invents
the Thaumatrope, a simple device which
creates the illusion of motion by having
one part of a picture on one side of
a disk and the other on the reverse
side--Scientific instrument and child’s
plaything._
During the period which followed the defeat of Napoleon at Waterloo,
there appeared, first in London and later in Paris and elsewhere, a
small cardboard toy which was at once the plaything of children and a
scientific curiosity which illustrated in a startling way the illusion
of the persistence of vision. This toy was the Thaumatrope.
The name Thaumatrope means “wonder-turner” (a word reminiscent
of one of Kircher’s titles for the magic shadow projection
art--_thaumaturga_). The Thaumatrope is a small disk with one image on
the face and another on the back. Two short threads or bits of string
are attached to the disk. The Thaumatrope’s effects are observed by
twirling the disk. The eye, as in the case of motion pictures, does not
distinguish the separate pictures on each side of the disk but only the
one, combined impression.
A variation of the Thaumatrope, however, came even closer to the motion
picture idea--the two ends of cord were not set opposite each other,
which resulted in an irregular motion and an additional illusion.
John Ayrton Paris (1785–1856), an English doctor, has the best claim to
the invention of the Thaumatrope. At any rate, he was responsible for
the popularity of this scientific toy. Paris was a skilled physician
who was specially known for his talent in judging the health of his
patients by their general appearance. He took interest in affairs well
outside his medical profession and was respected as a conversationalist
whose talk enlivened many a drawing room evening in London. A keen mind
and a great memory, even for the smallest detail, were qualities that
helped to make Paris a charming companion.
For recreation Paris wrote a “novel” called, _Philosophy in Sport
Made Science in Earnest; being an attempt to illustrate the first
principles of natural philosophy by aid of Popular Toys and Sports_.
The work was published in three small volumes, in keeping with the
19th century custom that every novel must be issued in three volumes.
Paris used a thread of story as a frame-work on which to build the
various scientific illustrations. The book _Philosophy in Sport_, shows
the influence of the novelist-humorist Thomas Love Peacock. It was
dedicated to the novelist, Maria Edgeworth.
Public-domain text, read in full here on John Shaqi.
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