Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
So much for what concerns Mr. Stampfer. One sees that the
patent above mentioned was not obtained until May 7, 1833.
The professor has not been able to place his first publication
prior to that time. But, on the other hand, the letter which
gives first description of my Fantascope is dated January 20,
1832. Thus my first publication is over a year before that of
Mr. Stampfer. As for the time when I first got the idea for this
instrument, the idea to which I was also led by the paper of
Mr. Faraday, it is difficult for me to be precise; however, the
drawing which accompanies that letter proved that I had already
at that time finished the first disk and when I recall my labor,
the difficulties which I encountered in the first construction
and the extreme care which I had given to it, I believe that I
can place the invention at about the same time, that is to say,
as Mr. Stampfer, in the month of December, 1832.
Roget also may be considered a pioneer in this field. In 1834 he
wrote that Faraday’s writing had called again to his attention wheel
devices and that in the Spring of 1831 he had constructed several
“which I showed to many of my friends,” he wrote, “but in consequence
of occupations and cares of a more serious kind I did not publish
any account of this invention which was last year reproduced on the
continent.”
From 1835 until 1843 Plateau continued his work and teaching at the
University of Liége in his capacity of professor of experimental
physics, taking time off to be married in 1840 to Fanny Clavareau. But
all the while the man who had helped to bring visual education and
entertainment to millions who were to come after him was gradually
going blind. He was a popular teacher, despite his handicap.
From 1844, when his vision was entirely gone, Plateau worked
continually at home, having set up there a laboratory in which friends
and relatives acted as his assistants. Plateau himself gave all the
instructions to his aids; they reported to him every detail of the
results of the experiments and he then dictated the notes covering
the work, relying on a remarkable memory. Later the notes would be
revised for publication. Plateau supplied the imagination and piercing
intelligence; his helpers supplied the eyes and were the reporters.
Plateau was the editor. Scientific critics have held that he not only
overcame his handicap but actually did better work.
Public-domain text, read in full here on John Shaqi.
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