Magic Shadows: The Story of the Origin of Motion Pictures — John Shaqi
Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
Some authorities hold that as long ago as 6000 B.C. magnifying glasses
were used by the Chaldeans in the ancient biblical lands. It is known
that the Chaldeans, who developed an elaborate civilization, gave first
attention to the study of light and all its problems. A few thousand
years before the new era the Babylonians, famed too as gardeners,
became great astronomers. The heavens, then and now, present the
greatest natural light and shadow show, with a continuous run every
night since the beginning of time. So it is not surprising that the
first study of light and shadow should concern itself with the stars
and planets. The Babylonians, with but the naked eye, picked out
constellations and identified them. It was a desire to learn more about
the stars that resulted in the development of a telescope, which was a
marked advance in the science of light and shadow.
In the ruins of Nineveh, destroyed in 606 B.C., was found a convex
lens of quartz and an inscription too fine to be read by the naked
eye--proof that those people knew the uses of lenses and treasured fine
artistic drawings and writings which could be inscribed only through
the use of a magnifying glass.
* * * * *
At an early date the conflict arose between those who wished to use the
magic shadows to entertain and instruct and those who wished to use
them for purposes of deception.
The Egyptian priests have first claim on the title of light and shadow
showmen. Some of the fragments of hieroglyphics indicate that they
used optical devices to deceive. It is likely that a simple mirror was
used to throw images into space. But that would have amazed the people
and would have been taken as a sure sign of miraculous power.
The oldest media of light and shadow entertainment and deception was
developed by another great and scholarly group, the early Chinese
scientists. These were the Chinese Shadow Plays, the origin of which
is lost in antiquity, dating back perhaps to 5000 B.C. Silhouette
figures shown on a background of smoke and animated as in a puppet
show entertained a public thousands of years ago in the Far East. The
Chinese Shadow Plays appear to have a close relation to the old-time
fireside tricks of twisting the fingers so as to form what appeared to
be the shadow of a donkey’s head or a representation of a rabbit or of
some other animal. Despite the troubled history of China, these Shadow
Plays were never lost and they are still presented in remote parts of
China and in Java.
Dates of the Chinese contributions to the story of the origin of the
cinema and related sciences are uncertain. The Chinese empire was
founded around 2800 B.C. and within 500 years of that time the heavens
had been charted by the Chinese. A hundred years after an hereditary
monarchy was established in China, about 2200 B.C., the ruling powers
executed two astronomers for failing to observe properly an eclipse of
the sun.
Public-domain text, read in full here on John Shaqi.
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