Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
But Uchatius then and now should have been praised not for his
engines of war but for his important contribution to the magic shadow
art-science. For by perfecting a motion picture machine which would
bring living pictures before audiences, Uchatius, together with Kircher
and Plateau, the other great magic shadow pioneers, deserves credit and
the gratitude of untold millions who down through the years have had
their lives enriched through this great new medium of expression.
The use of Uchatius’ projector spread rapidly. It satisfied a natural
urge. Man from the beginning sought to recreate life naturally and
realistically. Large screen motion pictures, even of but one scene,
repeated over and over, represented a definite step on that road.
[Illustration: Abb. 1. Franz Freiherr von Uchatius.
_Ölbildnis von Sigmund l’Allemand im Besitz des Wiener Heeresmuseums._
Schweizerische Zeitschrift, 1905
_FRANZ VON UCHATIUS in 1853 combined Kircher’s projector of 1645 and
Plateau’s revolving disk of 1832 to achieve the first projection of
animated designs._]
Within a few years after the publication of accounts of the Uchatius
motion picture projector, models were brought out by English and French
inventors. Projectors, including one which threw onto a screen by means
of a mirror system images of living persons, were used at the London
Polytechnic Institute.
For many years after the announcement of the Uchatius picture
projector, only hand-drawn designs were used. The new photographs were
available only in single stills. But now the modern motion picture was
just around a not too distant corner.
[Illustration:
K. Akademie der Wissenschaften, 1853
_PROJECTORS by Uchatius. Shown are two versions of the 1853 picture
projector. In the one above a picture disk is revolved by a crank.
Below, the drawings are in fixed mounts, each before a projection lens,
and the light source is revolved._]
_XIII_
THE LANGENHEIMS OF PHILADELPHIA
_Brothers Langenheim perfect a system
of printing photographs on glass
slides permitting projection on the
screen--Projectors are made by Duboscq
in France; Wheatstone and Claudet in
England; Brown and Heyl in the United
States._
William Penn’s “City of Brotherly Love”, Philadelphia, was the home
of several important American contributors to the magic shadow
art-science. The first of these were two brothers, Frederic and William
Langenheim.
Public-domain text, read in full here on John Shaqi.
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