Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
William Langenheim came to the United States from Germany in 1834, the
year Ebenezer Strong Snell, a professor at Amherst College, introduced
in America the Plateau-Stampfer magic disks. Successively, he served
in Texas during its war for independence from Mexico; was present at
the recapture of the Alamo by American forces; was captured himself and
sentenced to be shot; escaped, and served in the United States Army in
the Second Florida Seminole War.
After three years of adventure, William decided in 1840 to settle in
Philadelphia and enter business. He had his brother, Frederic, come
to America to be his partner. Frederic Langenheim brought to his
brother news of the latest developments in photography and they decided
to embark upon that pursuit. The year before, 1839, Louis Jacques
Mande Daguerre (1789–1851), in France, and William Henry Fox Talbot
(1800–1877), in England, had announced successful still pictures made
with a modified portable form of our old friend, the _camera obscura_,
fitted with a chemically coated plate which after development made the
picture permanent.
Frederic Langenheim was familiar with all these advances when he came
to Philadelphia in 1840 and he either brought with him a good camera
or one was ordered from Vienna shortly afterwards. In the winter of
1840–41 the Langenheim brothers opened a studio at the Merchant’s
Exchange, 3rd and Walnut Streets, Philadelphia. They were not the first
photographers in the United States but were among the pioneers.
Pictures from the size of a pea to very large ones were advertised.
President Tyler and Henry Clay were among those who sat for Langenheim.
In an early adventure in the use of photography for advertising,
the Langenheims had something less than a complete success, from
the client’s point of view. A picture was made showing a number of
prominent persons drinking at a local establishment. It was not good
for business--a rigorous public objected to the “drinking scene.”
Frederic, who was the “outside man” of the business and the principal
photographer of natural subjects--William handled the business end
and the portraits--went to Niagara Falls in 1845 and made scene
pictures that brought fame and renown to the firm of Langenheim Bros.
Copies were sent to Queen Victoria, the Kings of Prussia, Saxony and
Wurtenberg and the Duke of Brunswick, the province in Germany whence
the brothers originally came; and to Daguerre himself. The latter
praised the successful photography in a letter transmitted to the
Langenheims.
Public-domain text, read in full here on John Shaqi.
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