Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
The most successful results, which were little better than silhouettes,
were obtained when twenty-four cameras, set about one foot apart,
were used. The photographs actually were not made at equal intervals
of time but of space. The cameras and background were lined up for a
measurement of distance and not of time.
Although Isaacs contributed engineering skill to the development of the
apparatus, because he was chiefly interested in railroad engineering
and this assignment in his photographic hobby was a favor for the “big
boss,” Muybridge alone obtained the patents on the method. On June 27
and July 11, 1878 he applied for a patent on, “A method and apparatus
for photographing objects in motion” (the battery system), and for
the double action shutter controls. The patents were issued in March,
1879. Wet collodion plates were used in each camera and a speed of up
to 1/5000th of a second was claimed by Muybridge in his applications.
Isaacs later became chief engineer of the Southern Pacific Railroad
System while Muybridge made “scientific” photography a profession.
[Illustration:
The Horse in Motion, 1882
_CAMERA SYSTEM developed by John D. Isaacs, engineer, and Eadweard
Muybridge, photographer, which made pictures at equal intervals of
space rather than of time. It settled a wager on the nature of the
movements of a horse._]
During later life Muybridge sought to establish himself as a scientist
and in this effort he drew heavily on physiological data which
originated with Marey in France. Muybridge was a photographer, who,
through the resources of Stanford, a rich and determined backer, came
into possession of a method of taking successive pictures of action.
Even though the method was cumbersome and inexact, Muybridge never
changed it but continued to exploit it for the rest of his life.
[Illustration:
La Nature. 1882
_PHYSIOLOGICAL PARK. Paris, above, the first motion picture studio.
Marey installed the camera in a box on rails. Below, Marey’s photo gun,
first portable camera for photographing motion._]
Marey, in France, was delighted to hear of the results of Muybridge’s
work and to inspect them, for here at last was excellent confirmation
of his physiological theories. Marey, while praising the work of
Muybridge, noted certain errors resulting from the battery camera
system--the landscape and not the animal appeared to be moving when the
resulting photographs were analyzed in the Plateau magic disk and also
the time interval, as noted above, was not exact.
Public-domain text, read in full here on John Shaqi.
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