Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
Marey was the first to synthesize motion from the photographs by
mounting them so the action could be reconstructed. Muybridge had no
interest in this phase of the subject until he met Marey and learned
from him. Even afterwards Muybridge continued to be interested chiefly
in taking pictures and not in studying and analyzing them. Technically
speaking, Marey analyzed and synthesized the results obtained in the
Muybridge photographs.
In addition to using the simple Plateau disk which only one person at
a time could see, Marey somewhat later had the photographs copied on
glass slides, mounted on a revolving disk and projected onto a screen
with the Uchatius type projector, equipped with a revolving slit
shutter. This scientific demonstration was the first actual motion
picture show of real motion and not posed as in the Heyl, Bourbouze and
other demonstrations of about 1870.
Gaston Tissandier, editor of _La Nature_, in the December 7,
1878, issue wrote on “The Attitudes of the Horse, represented by
instantaneous photography,” and discussed the photographs of Eadweard
Muybridge of San Francisco which were on display at the firm of Brandon
and Morgan Brown, 1, Rue Lafitte, Paris. The early work of Marey was
mentioned and the importance of the new pictures was stressed.
On December 28, 1878, a letter of Marey’s, published in _La Nature_,
expressed the hope that Muybridge would also record and analyze the
action of birds in flight as well as animals in motion. Marey mentioned
how effective such pictures would be in the Wheel of Life disks and
their value in zoology. There also Marey spoke of a photographic gun
which he was to invent later.
A return letter from Muybridge was published on February 17, 1879 in
the same magazine: “Please have the goodness to transmit to Professor
Marey the assurance of my highest esteem and tell him that the reading
of his celebrated book on animal mechanism had inspired Governor
Stanford with the first idea of the possibility of solving the problem
of locomotion with the aid of photography. Mr. Stanford consulted me in
this matter and, on his request, I decided to undertake the task. He
asked me to follow a most complete series of experiments.” Muybridge
said also that he was using as many as thirty cameras, mounted twelve
inches apart, and that he planned to study all movements, including
flights of birds in which Marey was so interested at the time.
Public-domain text, read in full here on John Shaqi.
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