Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
He was at first intended for the navy, but his unconquerable aversion
to discipline proved an insurmountable obstacle, and his thoughts
turned to the Church, from which, however, a conviction of his
unfitness for a life of renunciation made him draw back. In the depth
of his despondency he attempted to commit suicide. An irrevocable
family decision put an end to his vacillation; he was given a
commission as sub-lieutenant in the army, and found the life to his
liking. As a cadet of a noble family he was presented to Louis XVI.,
at whose court he witnessed the last glimmer of the old splendour and
ceremony of royalty. Two years later the Revolution broke out, and in
1790 rank, titles, and feudal rights were abolished. Chateaubriand
gave up his commission, and, as no occupation offered itself under the
new order, or disorder, he conceived the fantastic plan of travelling
to America to discover the North-West Passage. Without any of the
requisite information, without interest or money, he was inevitably
soon obliged to abandon this project. But if he did not find the
North-West Passage, he did discover a new race, fresh conditions,
and new scenery. In his early youth, after reading Rousseau, he had
conceived the idea of writing the Epic of Primitive Man, a description
of the ways of the savages of whom he knew nothing. Now he was upon
their own soil, in their world, and though they were not as untouched
by civilisation as he had imagined, it was not difficult to reconstruct
their original condition. The first impression he received of them
was undeniably a strange one. On the way from Albany to Niagara, when
his guide led him for the first time into the virgin forest, he was
seized by one of those transports of delight in his independence which
he had felt in his early youth when he went hunting in Brittany. He
wandered from tree to tree, to right and left, saying to himself:
"Here are no roads, no towns, no monarchies, no republics, no men."
Imagining himself to be alone in the forest, he suddenly came upon a
score of half-naked, painted savages with ravens' feathers in their
hair and rings in their noses, who--marvellous to relate!--were dancing
quadrilles to the sounds of a violin played by a little powdered and
frizzed Frenchman, once kitchen-boy to a French general, now retained
as dancing-master by these savages for a consideration of beaver-skins
and bear-hams. What a humiliating introduction to primitive life for a
pupil of Rousseau! Subsequent impressions were, fortunately, simpler
and more beautiful than this. Chateaubriand purchased clothes and
weapons from the Indians, and lived their life for some weeks at least.
He was presented to the Sachem, or chief, of the Onondagas (as Byron
at a later period was presented to Ali Pasha); he rode through the
country, coming here and there upon little European houses, with their
pianos and mirrors, close to the huts of the Iroquois; he saw the Falls
Public-domain text, read in full here on John Shaqi.
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