Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
She never wearies of praising the integrity and truthfulness of the
German men, and only very occasionally does she hint at a pretty
general lack of refinement and tact. We feel that their conversation
often wearied her, but for this she blames the social customs and the
language. It is impossible, she says, to express one's self neatly in
a language in which one's meaning as a rule only becomes intelligible
at the end of the sentence, in which, consequently, the interruptions
which give life to a conversation are almost impossible, it being also
impossible always to reserve the pith of the sentence for the end. It
is natural, she thinks, that a foreigner should sometimes be bored by
the conversation in a society where the listeners are so unexacting
and so patient; where no one consequently has that dread of boring
which prevents circumlocution and repetitions. Even the custom of
perpetually repeating insignificant and lengthy titles necessarily
makes conversation formal and cumbersome.
The German women she describes with warm sympathy, but not without a
touch of sarcasm, as follows:--
"They have an attraction peculiarly their own, touching voices, fair
hair, dazzling complexions; they are modest, but less timid than
Englishwomen; one can see that they less frequently meet men who are
their superiors. They seek to please by their sensibility, to interest
by their imagination, and are familiar with the language of poetry and
of the fine arts. They play the coquette with their enthusiasms as
Frenchwomen do with their _esprit_ and merry wit. The perfect loyalty
distinctive of the German character makes love less dangerous to
women's happiness, and possibly they approach the feeling with more
confidence because it has been invested for them with romantic colours,
and because slights and infidelity are less to be dreaded here than
elsewhere. Love is a religion in Germany, but a poetic religion, which
only too readily permits all that the heart can find excuse for.
"One may fairly laugh at the ridiculous airs of some German women, who
are so habitually enthusiastic that enthusiasm has with them become
mere affectation, their mawkish utterances effacing any piquancy
or originality of character they may possess. They are not frankly
straightforward like Frenchwomen, which by no means implies that they
are false; but they are not capable of seeing and judging things as
they really are; actual events pass like a phantasmagoria before their
eyes. Even when, as occasionally happens, they are frivolous, they
still preserve a touch of that sentimentality which in their country is
held in high esteem. A German lady said to me one day with a melancholy
expression: 'I do not know how it is, but the absent pass out of my
soul.' A Frenchwoman would have expressed the idea more gaily, but the
meaning would have been the same.
Public-domain text, read in full here on John Shaqi.
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