Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The strongly opposed and long suppressed book on Germany is the most
mature production of Mme. de Staël's culture and intellect. It is the
first of her longer works in which she so entirely loses herself in
her subject as to have apparently forgotten her own personality. In
it she gives up describing herself, and only appears to the extent
that she gives an account of her travels in Germany and reproduces
her conversations with the most remarkable men of that country. In
place of self-defence and self-exaltation, she offers her countrymen
a comprehensive view of a whole new world. The last information
Frenchmen had received regarding the intellectual life of Germany was,
that there was a king in Berlin who dined every day in the company of
French savants and poets, who sent, his indifferent French verse to be
corrected by Voltaire, and who refused to acknowledge the existence of
a German literature. And now, not so many years later, they learned
that this same country, which their conquering armies were in the act
of treading under foot, had, in the course of a single generation,
produced, as if by magic, a great and instructive literature, which
some had the audacity to rank with the French, if not above it.
The book gave a complete, comprehensive picture of this foreign
intellectual life and literary production. It began with a description
of the appearance of the country and its towns; it noted the contrasts
between the character of Northern and of Southern Germany, between
the tone and morals of Berlin and of Vienna; it gave information on
the subject of German university education, and of the new life which
Pestalozzi had imparted to the training of children. From this it
passed on to a general survey of contemporary German poetry, made
doubly intelligible by many translations of poems and fragments of
drama; and the authoress did not even flinch from putting the climax to
her work by giving a sketch of the evolution of German philosophy from
Kant to Schelling.
The impressions of German naïveté, good-nature, and straightforwardness
which prevailed in France until 1870 were due to Mme. de Staël's
book. She made the acquaintance of the people who had caused Europe
to resound with the clash of their arms throughout the Thirty Years'
War and during the reign of Frederick the Great, at the moment of
its deepest political and military degradation, and this led her to
conclude that the national character was peaceful and idyllic. It
seemed to her that the warmth of the stoves and the fumes of ale and
tobacco gave the atmosphere in which this people moved a peculiar,
heavy, dull quality; and it was her opinion that their strength
lay exclusively in their earnest morality and their intellectual
independence.
Public-domain text, read in full here on John Shaqi.
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