Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was something simple that was wanted. Weary of ancient culture, men
took refuge in the strange, rich, long-neglected world of the Middle
Ages. A thirst for the fantastic and marvellous took possession of
their souls, and fairy-tale and myth became the fashion. All the old,
popular fairy-tales and legends were collected, and were re-written
and imitated, often as excellently as by Tieck in his Fair Eckbert
and Story of the Beautiful Magelone and Count Peter of Provence,
but also often with a childish magnification of the poetical value
of superstitions which in reality possess only scientific value as
distorted remains of ancient myths. Novalis, in a spirited poem,
prophesied that the time would come when man would no longer look to
science to solve the riddles of life, but would find the explanation
of all in fairy tale and poetry; and when that time came, when the
mystic word was spoken, all perversity and foolishness and wrong would
vanish. All foolishness and wrong, all that the French Revolution in
its foolhardiness had sought to put an end to by wild destruction and
bloody wars, was to vanish as in a dream or a fairy-tale, at the sound
of a spoken word, when men had become children again! They were to be
regenerated by turning from ideas that were redolent of powder and
blood to ideas redolent of the nursery.
It was something popular that was wanted. The seed was sown of the
same popular movement which was started in Denmark by Grundtvig, after
he, like so many others, had been powerfully impressed by the youthful
ardour with which the doctrines of the new Romantic School were
proclaimed by Steffens and received by the rising generation, in those
days when there was still youth in Denmark. Men rightly regretted the
great gulf which had been fixed between the educated and the uneducated
by the extremely rapid advance of the vanguard and the exclusion of the
poorer classes from culture, and rightly appealed to the man of science
and the artist to clothe their thoughts and feelings in the simplest
and most easily comprehensible form. But the movement went astray, by
making the insane attempt to recall the advanced guard for the sake of
the laggards; they would hardly have minded sabring the foremost for
the sake of keeping the army together.
Public-domain text, read in full here on John Shaqi.
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