Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Note, finally, that the watchword Nature is to be taken in its literal
meaning. For the first time, out of England, we have the genuine
feeling for nature in fiction, superseding love-making in drawing-rooms
and gardens. Under Louis XV. and the Regency, people passed their
time (in real life as well as in books) in boudoirs, where light
conversation and light morals were in place. The rooms, like the verses
of Voltaire's _Poesies Fugitives_, were adorned with endless multitudes
of Cupids and Graces. In the gardens goat-footed Pans embraced slender
white nymphs by the side of artificial fountains. In their pictures
of the _fêtes-champêtres_ of those days, Watteau and the less-gifted
Boucher and Lancret have preserved for us these gardens with their
shady walks and quiet corners, where courtly gentlemen and gay ladies,
clad as Pierrots and Columbines, coquetted and whispered, conscious of
being on the right stage for such free and frivolous masquerading. Turn
from these to the scenery of _La Nouvelle Héloïse_.
Rousseau's statue stands at this day on a little island lying in the
Lake of Geneva, at its narrow southern extremity. The spot is one of
the loveliest in the world. Pass the island and cross another bridge
and you see the Rhone rush, impetuous and foaming white, out of the
lake. A few steps further and you can see its white stream joined by
the grey snow waters of the Arve. The rivers flow side by side, each
retaining its colour. Far away between two mighty ridges you discern
the white snow-caps of Mont Blanc. Towards evening, as those mountain
ridges darken, the snows of Mont Blanc glow like pale roses. It would
seem as if Nature had gathered together all her contrasts here. Even in
the warmest season as you approach the grey, foaming mountain torrents,
the air becomes icy cold. In the course of a short stroll you may feel
the heat of summer in some sheltered nook, and a few steps farther
on encounter harsh autumn with its cutting winds. One can form no
conception of the cool freshness and strength of the air here. Only the
sun and the brilliant shimmer of the stars at night recall the south.
The latter are not the bright points in a distant sky which they appear
to be in the north; they seem to hang loose in the air; and the air
itself, as one inhales it, feels like a strong massive substance.
Public-domain text, read in full here on John Shaqi.
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