Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature — John Shaqi
Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In _Atala_ Chactas had told René the story of his life; now René in
return relates his past history to Chactas. He describes his childhood
in the old manor-house of the remote province, he tells how ill at ease
and repressed he felt in the presence of his father, and how he was
only happy in the society of his sister Amélie. Brother and sister,
both by nature melancholy, and both poetically inclined, are early
left orphans and obliged to quit their home. René's great longing is
for the peace of the cloister; but he is changeable in his longings;
they presently take the form of a desire to travel. This desire he
gratifies. He finds food for his melancholy among the ruins of Greece
and Rome, and discovers as much forgetfulness of the dead among living
peoples as upon the soil of past nations; the workmen whom he questions
in the streets of London know nothing of that Charles the Second at
the foot of whose statue they stand. What, then, is the value of fame?
He travels to Scotland to live in the memory of the heroes of Morven,
and finds herds of cattle grazing on the spots where Ossian sang and
Fingal conquered. He returns to Italy and studies its monuments of
art, but finds that for all his pains he has learned nothing. Past and
Present are two incomplete statues; the one has been dug up from the
earth in a mutilated condition, the other stands unfinished, and can
only be completed by the Future. Nature has as little power as history
to soothe his disordered soul. He climbs Mount Etna, and, standing on
its summit, sees on one side the sun rise above the horizon, with the
whole of Sicily spread out far beneath, surrounded by the great sea,
and looking so small that its rivers resemble the lines on a map; on
the other side he looks down into the crater of the volcano, with its
burning glow and its black smoke. This situation he considers to be
exactly typical of his own character and life. "All my life long," he
says, "I have had a widespread and yet insignificantly small world
before my eyes, and at my side a yawning abyss."
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