Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
These experiments of the hero with his young bride, these attempts
to enhance the attraction of her love by the added zest of peculiar
natural surroundings, are extremely characteristic. But it is all
in vain! The unnatural passion he had once inspired, and to which
the very fact of its being unnatural, and, according to human laws,
criminal, communicated a strength and a fire which harmonised with the
fiery strength of his own nature, has half infected him, has, in any
case, made it impossible for him to love again. In his very remarkable
farewell letter to Celuta he says that it is this misfortune which has
made him what he is; he has been loved, too deeply loved, and that
mysterious passion has sealed the fountains of his being although it
has not dried them up. "All love," he says, "became a horror to me.
I had the image of a woman before my eyes whom none could approach.
Although consumed by passion in my inmost soul, I have been in some
inexplicable fashion frozen by the hand of misfortune...." "There
are," he continues, "some existences so miserable that they seem an
accusation against Providence, and should surely cure any one of the
mania for life."
Even the innate desire to live, the deeply-rooted natural love of life
itself, is scorned by him half affectedly, half weariedly, as a _mama_,
and is supplanted by a wild Satanic lust of destruction. "I take it,"
he continues to Celuta, "that René's heart now lies open before you. Do
you see what a strange world it is? Flames issue from it, which lack
nourishment, and which could consume creation without being satiated,
yea, could even consume thee!"
In the next breath he is religious again, humble again, trembling at
God's wrath. In the solitude he hears the Almighty cry to him as to
Cain: "René! René! what hast thou done with thy sister? The one wrong
which he accuses himself of having done to Celuta is, that he has
united her destiny with his. The deepest sorrow this connection has
caused him lies in the fact that Celuta has made him a father; it is
with a species of horror that he sees his life thus extended beyond
its limits. He bids Celuta burn his papers, burn the hut built by him
in which they have lived, and return home to her brother. He wishes
to leave no traces of his existence upon earth. It is evident that he
would fain also require her, after the manner of Indian widows, to
lay herself upon his funeral pile; for the same species of jealousy
inspires him which prompted many a mediæval knight to kill his
favourite horse. This last letter to his wife ends with the following
characteristic farewell:--
Public-domain text, read in full here on John Shaqi.
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