Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
be associated with something already familiar, must follow a path
already struck out. It is of special importance that it should appear
at the right moment. There are works which are not actually weak,
but which appear so in the light of some contemporaneous event or in
comparison with some contemporaneous production; they are made to seem
old-fashioned, poor, pale, as it were.
It is probable that Obermann, as an author, will belong to the same
class of writers as his creator, Sénancour, namely those who believe
that there is something of a magical nature in the secret of success.
His letters provide us with full particulars of his spiritual life and
history. The latter is epitomised in the following words: "Oh! how
great one is, so long as one is inexperienced! how rich and productive
one would be if only the cold looks of one's neighbours and the chill
blast of injustice did not shrivel up one's heart! I needed happiness;
I was created to suffer. Who does not know those dark days towards
the coming of winter, when even the morning brings dense mists and
the only light is in some burning bars of colour in the clouded sky?
Think of those veils of mist, that wan light, those hurricane gusts
whistling among bending, trembling trees, that steady howl, interrupted
by terrific shrieks; such was the morning of my life. At midday the
colder, steadier storms; towards evening gathering darkness; and man's
day is at an end."
To so morose a temperament a regularly ordered life is insupportable.
The most difficult, distressing moment in a young man's life, that in
which he must choose a profession, is one which Obermann cannot face.
For to choose a calling means to exchange complete liberty and the full
privileges of humanity for confinement resembling that of the beast in
its stall. It is to their freedom from the stamp of any calling that
women owe part of their beauty and of the poetry of their sex. The
stamp of a calling is a restraint, a limitation, a ridiculous thing.
How then could a man with a nature like Obermann's possibly choose a
profession? At once too intense and too weak for real life, he hates
nothing more than dependence! The whole constitution of society is
repellent to him: "Thus much is certain; I will not drag myself up
step by step, take a place in society, be compelled to show respect to
superiors in return for the privilege of despising inferiors. Nothing
is so imbecile as these degrees of contempt reaching down through
society from the prince, who claims to be inferior to God alone, to the
poorest rag-picker who must be servile to the woman from whom he hires
a straw mattress for the night."
Public-domain text, read in full here on John Shaqi.
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