Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is the question of the conditions of constancy which is treated of
in _Adolphe_--under what conditions is passion lasting or otherwise?
And it is the answer to this question which is really an impeachment
of society. For it is maintained that while society, in this case
represented by public opinion, upholds those unions which are of its
own institution, it at the same time basely strives to destroy all
possibilities of faithfulness in any union it has not sanctioned, even
if that union be to the full as honourable, to the full as unselfish,
as any of those which it fences round and supports.
Constant prefers his accusation in a story which could hardly be
less pretentious. It contains but two characters, no scenery, and
there is not a single fortuitous incident in the whole course of its
action. Everything occurs according to the natural laws indicated by
the relations of the couple to each other and to society in general.
The reader follows this history of two souls to its close much as a
student of chemistry watches the fermentation of two substances in an
inexplosible phial and observes the results. Who, then, are these two
characters?
In the first place, who is _he_? He is a very young man, who (like
the author) has been given an appointment at one of the little German
courts, after completing his studies at a small German university.
He has been tolerably dissipated, but has also gone through a course
of serious and laborious study. His relations with his father, an
outwardly cold, ironical man, who represents the culture of the
eighteenth century, have increased the hero's youthful taste for
powerful, passionate emotions, and his leaning to the unusual, the
extravagant. His father's severe discipline has inspired him with an
impatient longing for freedom from the bonds which gall him, and a
strong disinclination to let himself be trammelled by new ones.
At this stage of his development he comes to a court where monotony
and formality reign. To him, who from his earliest youth has felt an
unconquerable aversion to dogmatism and formalism, it is positive
suffering to be obliged to listen to his companions' eternal
platitudes. "The self-satisfied chatter of mediocrity about absolutely
unquestionable and unshakable religious, moral, or social principles,
all considered of equal importance, drove me to contradict, not so much
because I was of a different opinion as because I had no patience with
such clumsy, stolid certainty. I was involuntarily on the alert against
all these general maxims which are considered universally applicable,
without restriction or modification. The blockheads knead their
morality into such an indivisible mass that it cannot possibly permeate
their actions and be applicable in individual cases."
Public-domain text, read in full here on John Shaqi.
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