Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
He revenges himself for the boredom which his associates inflict
on him by jesting at them and their ideals, and soon acquires a
character for ill-natured frivolity. He does not himself approve of
his own contradictory, mocking spirit. "But," he says, "I may urge in
self-defence that it takes time to accustom one's self to such beings,
to that which selfishness, affectation, vanity, and cowardice have
made of them. The astonishment a man in his early youth feels at such
an artificial, arbitrarily regulated state of society witnesses rather
to the naturalness of his character than to depraved tendencies.
Besides, this society has nothing to fear from such as us; it weighs us
down, its foolish influence is so strong that it quickly moulds us to
the general pattern. Then we only wonder that we were ever astonished.
We become accustomed to the new life as men become accustomed to the
air in a room full of people, where at first they feel as if they could
not breathe."
These skirmishes with his narrow surroundings were not sufficient
to satisfy the gifted young man; his discontent is perpetually with
him, he drags it about as a man drags a weight attached to his leg.
Like René and Obermann, he belongs to a generation of sons to whom
their fathers did not appear to have left anything to do worth doing.
The future has no interest for him, for he has anticipated it in
imagination, and the past has made him old, for he has lived in thought
through many a century. He has desired much, but willed nothing, and
the more lacking in will he feels himself, the vainer does he become;
for vanity is the invariable stop-gap with which those in whom will
or ability is defective, attempt to fill the lacunae in their will
or ability. He wishes to love and to be loved, looking on love in
the light of a tonic for his self-esteem. He expects to attain to a
stronger persuasion of his own worth, to be raised in his own and other
people's eyes, by some great triumph and scandal. The happiness that
love is to bring to him is the happiness of feeling for once that his
will is strong, because he is able to bend another's to it. He is not
by nature more faithless than other men. It is in him to love more
tenderly, to act more unselfishly than many do, but for him to love
faithfully many circumstances would need to be altered. He is still so
young that there is more of curiosity and of the spirit of adventure
in his feeling for a woman than of real love; and even if he loved
deeply, he is too weak, too little of the man, to be able to love on
in spite of society's disapproval of his passion; above all, in spite
of his unlikeness to his father, he is too much his son to be able,
without despising or deceiving himself, to stake his whole existence
on one card. He differs from and yet resembles his father, just as the
beginning of the nineteenth century differed from and yet resembled the
eighteenth.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account