Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is easy to foresee with what a fiery flame this passion will blaze
at first, to foretell what a full and mighty chord, what a joyful paean
will resound, as though both had won complete and lasting victory
and salvation. There is a new and strange mixture in her feeling--an
enthusiasm which is almost fanatical, because it must be equal to the
task of stifling his constantly recurring jealousy of the past; a faith
which is almost convulsive, because it is not based upon sound, natural
confidence, but upon a determination to believe in spite of everything,
even in spite of having already been deceived; and a fidelity which
suffers tortures from being constantly called upon to demonstrate its
existence, because it is the offspring of faithlessness towards the
past. This redoublement of passion constitutes the third marked feature
in Eléonore's character. "One regarded her," says Adolphe, "with the
same interest and admiration with which one gazes on a magnificent
thunderstorm."
It is in reality an entirely new female type which is here presented to
us, a type which many years later Balzac appropriates, styles "la femme
de trente ans," and varies with such genius that he may be said to be
its second creator, and which George Sand too developed and embellished
in a whole series of her novels. Under the treatment of these two
authors this type proved to be a whole, hitherto unknown, world, in
which every feeling, passion, and thought was infinitely stronger than
in the world of the girlish heart. In time the type passed from the
novel into the drama, and long usurped the French stage. In it the
early literature of the century found its queen, as in René it found
its king.[1]
The strong, Promethean generation to which Goethe belonged had produced
its type in Faust, the fully developed man, with the powerful,
cultivated intellect, who, having studied in all the schools and toiled
through all the sciences, becomes conscious in his manhood's prime of
a void in his heart, a thirst for youth, freshness, and simplicity.
Casting himself into the whirl of life, he falls in love with a child.
It is her simplicity and innocence that win and intoxicate him, and
arouse the desire of possession.
Public-domain text, read in full here on John Shaqi.
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