Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
And who is _she_? She is carefully described by the author as being
such that Adolphe's love for her, however strong, is certain sooner
or later to be affected by social considerations. In the first place,
Adolphe is not the only man she has loved, and the verdict of society
has been passed upon her before they meet; she is not his equal in
its eyes, although she is so by birth. In the second place, she is
considerably older than he; and in the third, hers is a passionate,
power-loving nature, which could only be fused with his if social
conditions favoured the process, and which must make both unhappy if
they harden him against her.
When Adolphe makes her acquaintance, Eléonore is no young,
inexperienced girl, who learns for the first time what love is;
she is a woman, whose new emotions stand out upon a background of
sad, harrowing experience. The mark which this experience has set
upon her is the first noticeable trait in her personality. Eléonore
has relinquished her right to all the privileges and pleasures of
a safe-guarded, peaceful life. Although of good family and born to
wealth, she has left home and family to follow the man she loves,
as his mistress. She has chosen between the world and him, and has
ennobled her action by entirely, unconditionally sacrificing herself
for his sake. She has done him the greatest services, has saved his
fortune, and been as faithful as any wife could be, endeavouring by
this absolute fidelity to solace the pride wounded by the reprobation
and scorn of the world. Strength of will is the second noticeable
feature of the character.
When the first doubt of her friend's constancy assails her, the whole
edifice that she has raised crumbles to pieces. Does he love her, or
does he only treat her as a man of honour must? is he faithful, or is
he only too proud and too well-bred to show himself ungrateful and
indifferent? With tears she puts the question to herself, with anguish
answers it. It is at this moment that she meets Adolphe. He is drawn to
her with a desire in which his whole thirst for life and all that life
contains is concentrated, drawn as to one in whom he mysteriously feels
treasures of passion, tenderness, enthusiasm, intellect, and experience
to be accumulated, buried, as it were. And his longing and her regret,
his vanity and her despair, his youth and her disappointment take hold
of each other like two wheels in the works of a watch.
Public-domain text, read in full here on John Shaqi.
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