Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
He is acquitted; the happiest moment of his life is at hand; he is to
be united to the woman he loves. It is their wedding day. "At that
very moment a dull sound rose from the street below; we heard the
shouting of hollow voices and the slow rumbling of a heavy vehicle.
I ran to the window. In front of the palace, a cart, driven by the
headsman's apprentice, was stopping; in it sat the Monk and a Capuchin
friar who was praying loudly and fervently with him. Though the Monk
was disfigured by fear and by a bristly beard, the features of my
terrible Doppelgänger were only too easily recognisable. Just as the
cart, which had been stopped for the moment by the throng, rolled on
again, he suddenly glared up at me with his horrible glistening eyes,
and laughed loud, and yelled: Bridegroom! Bridegroom! Come up on to the
housetop! There we will wrestle with one another, and he who throws the
other down is king and has the right to drink blood!' I cried: 'You
monster! What have I to do with you?' Aurelia flung her arms round me
and drew me forcibly away from the window, crying: 'For God and the
Holy Virgin's sake!... It is Medardus, my brother Leonard's murderer,
whom they are taking to execution.' ... Leonard! Leonard! The spirits
of hell awoke within me, and exerted all the power they possess over
the wicked, abandoned sinner. I seized Aurelia with such fury that she
shook with fear: 'Ha, ha, ha! mad, foolish woman! I, I, your lover,
your bridegroom, am Medardus, am your brother's murderer. You, the
Monk's bride, would call down vengeance upon him? Ho, ho, ho! I am
king--I will drink your blood.'"
He strikes her to the earth. His hands are covered with her blood.
He rushes out into the street, frees the Monk, deals blows right and
left with knife and fist, and escapes into the forest. "I had but
one thought left, the hunted animal's thought of escape. I rose, but
had not taken many steps before a man sprang upon my back and flung
his arms round my neck. In vain I tried to shake him off; I flung
myself down; I rubbed myself against the trees--all to no purpose--the
man only chuckled scornfully. Suddenly the moon shone clear through
the dark firs, and the horrible, deathly pale face of the Monk, the
supposed Medardus, the Doppelgänger, glared at me with the same
appalling glance he had shot at me from the cart. 'He, he, he! little
brother! I am w-w-with you still; I'll n-n-never let you go. I can't
r-r-run like you. Y-you must carry me. They were go-go-going to break
me on the wh-wh-wheel, but I got away.'" This situation is spun out
_ad infinitum_, but I forbear. To the end of the book one is uncertain
of the real significance of the events, of the ethical tendency of
the actions, so completely in this case has imagination disintegrated
personality.
Public-domain text, read in full here on John Shaqi.
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