Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Medardus, in his own form, now enters into relations with Viktorin's
mistress, the Baroness, who has no idea that he is not Viktorin. He
is possessed by carnal desires; women fall in love with him; he gives
himself up to sensual pleasures, and in order to attain the fulfilment
of his wishes, commits crimes of every kind, including murder. Horrible
visions haunt him and drive him from place to place. In the end he is
denounced and imprisoned. In prison the confusion of individualities
reaches a climax. "I could not sleep; in the strange reflections cast
by the dull, wavering light of the lamp upon the walls and ceiling, I
saw all kinds of distorted faces grinning at me. I put out the lamp and
buried my head in my pillow of straw, only to be still more horribly
tormented by the hollow groans of the prisoners and the rattling of
their chains." It seems to him that he is listening to the death-rattle
of his victims. And now he plainly hears a gentle, measured knocking
beneath him. "I listened, the knocking continued, and sounds of strange
laughter came up through the floor. I sprang up and flung myself upon
the straw mattress, but the knocking went on, accompanied by laughter
and groans. Presently, an ugly, hoarse, stammering voice began calling
gently but persistently: 'Me-dar-dus, Me-dar-dus!' An icy shiver ran
through my veins, but I took courage and shouted: 'Who is there? Who
is there?'" Then the knocking and stammering begins directly beneath
his feet: "He, he, he! He, he, he! Lit-tle brother, lit-tle brother
Me-dar-dus ... I am here, am here ... le-let me in ... we will g-g-go
into the woo-woo-woods, to the woo-woo-woods." To his horror he seems
to recognise his own voice. Some of the flagstones of the floor are
pushed up, and his own face, in a monk's cowl, appears. This other
Medardus is, like him, imprisoned, has confessed, and is condemned to
death. Now everything happens as if in a dream. He no longer knows
whether he is really the hero of the events which he believes to have
happened, or whether the whole is a vivid dream. "I feel as if I had
been listening in a dream to the story of an unfortunate wretch, the
plaything of evil powers, who have driven him hither and thither, and
urged him on from crime to crime."
Public-domain text, read in full here on John Shaqi.
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