Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
the philosophers play the part of the old crones, amidst the thunders
of the obscurantists, the insane yells of the mystics, and the shouts
of the politicians for temporal and ecclesiastical despotism, while
theology and theosophy fall upon the sciences and suffocate them with
their caresses.
[1] G. L. Plitt: _Aus Schelling's Leben_, i. 309.
[2] G. Brandes: _Samlede Skrifter_, i. 464.
I
THE PIONEERS OF ROMANTICISM
Any one who makes acquaintance with the Germany of to-day, either by
travelling in the country or by reading about it, and then compares it
with the Germany of the beginning of the century, is astounded by the
contrast. What a distance between then and now! Who would believe that
this Realistic Germany had ever been a Romantic Germany!
Public utterances, private conversation, the very physiognomy of the
towns, bear in our days a distinct stamp of realism. Walk along any
street in Berlin, and you meet men in uniform, officers and privates,
erect, decorated. The literature in the windows of the bookshops
has for the most part a practical tendency. Even the furniture and
ornaments are influenced by the new spirit. One cannot imagine anything
more prosaic and warlike than the shop of a Berlin dealer in fancy
articles. On the clocks, where of old a knight in armour knelt and
kissed his lady's finger-tips, Uhlans and Cuirassiers now stand in
full uniform. Conical bullets hang as trinkets from watch-chains,
and piled muskets form candelabra. The metal in fashion is iron.
The word in fashion is also iron. The present occupation of this
nation of philosophers and poets is assuredly not poetry-writing
and philosophising. Even highly cultured Germans know little about
philosophy now-a-days--not one German student in twenty has read a word
of Hegel; interest in poetry, as such, is practically dead; political
and social questions rouse a hundred times more attention than problems
of culture or psychical conundrums.
And this is the people which once was lost in Romantic reveries and
speculations, and saw its prototype in Hamlet! Hamlet and Bismarck!
Bismarck and Romanticism! Unquestionably the great German statesman
succeeded in carrying all Germany with him chiefly because he offered
to his country in his own person the very qualities of which it had
so long felt the want. Through him politics have been substituted for
æsthetics. Germany has been united; the military monarchy has swallowed
up the small States, and with them all their feudal idylls; Prussia
has become the Piedmont of Germany, and has impressed its orderly and
practical spirit upon the new empire; and simultaneously with this,
natural science has supplanted or metamorphosed philosophy, and the
idea of nationality has superseded or modified the "humanity" ideal.
The War of Liberation of 1813 was pre-eminently a result of enthusiasm;
the victories of 1870 were pre-eminently a result of the most careful
calculation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account