Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Thus even very serious personal disagreements and ruptures could
not divide those whom fellowship of ideas and a common endeavour to
promote them, united. The Romanticists considered personal liberty an
inalienable right, and respected it in others while demanding it for
themselves.
But we learn something else besides the fact that the Romanticists were
very changeable in their loves, and perfectly regardless of social
ties; and that something is, that their women were superior to them
in everything but talent, and that what the men did was to drag them
down to their own level. We see the strong-minded, energetic Dorothea,
who is so keenly sensible of the pettiness of the purely literary
endeavours of the Romanticists, slowly change, see her reluctantly
admire _Lucinde_, then write novels herself in the prescribed style,
and finally follow Friedrich to Vienna and become a Catholic along
with him. Or look at the high-spirited, enthusiastic, resolute
Caroline, who, as a young widow not much over twenty, attempts to
revolutionise the Rhineland. So unflinching is she then, that she
compromises herself recklessly, and risks the life and well-being of
those dearest to her with absolute regardlessness. Friedrich writes
to August Wilhelm: "I shall never forgive her heartlessness in being
ready to beguile you, her friend, into that vortex of ignoble dangers
and worthless characters." Only a few years later we see this same
woman writing anonymous reviews, favourable or unfavourable, of her
husband's wretched dramas, and entirely absorbed in literary intrigues.
Ever and anon her spirit is momentarily stirred by a breath wafted
from the old times. Then we feel how changed she is. Writing to her
daughter in October 1799, after giving her a quantity of family news,
the last item of which is: "Hofrath Hufeland has returned, with wife
and children," she exclaims: "But what sorry trash is all this!
_Buonaparte is in Paris!_ Think of that, child! All will go well again.
The Russians have been driven out of Switzerland; they and the English
will be obliged to capitulate with disgrace in Holland; the French
are making way in Swabia; and now comes Buonaparte. Rejoice with me,
or I shall think that you are entirely taken up with frivolities and
have no serious thoughts at all." Then, almost in the same breath,
literary gossip: "Tieck is here and we are much together. You would
never believe all that these men take it into their heads to do. I
will send you a sonnet on Merkel. He has been running about Berlin,
telling that the Schlegels have received a reprimand from the Duke on
account of the _Athenæum_, &c. So Wilhelm and Tieck set to work the
other evening and wrote a wicked sonnet in his honour. It was splendid
to see the two pairs of brown eyes flashing at each other, and the wild
merriment with which the perfectly justifiable squib was concocted.
Dorothea and I almost rolled on the floor with laughter. She knows
how to laugh, which will recommend her to you.
Public-domain text, read in full here on John Shaqi.
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