Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The pamphlet in question, _Buonaparte et les Bourbons_, is perhaps
the most passionate, most vindictive, most venomous, and most
artificially enthusiastic party work written by Chateaubriand. It is
an insane shriek of hatred of the fallen Napoleon, who is stripped of
every fragment of his glory, and a hurrah of hollow enthusiasm for
sunken-chested Louis XVIII, who is deified. In no other work does
Chateaubriand display so much vindictive stupidity. He goes so far
as to deny Bonaparte's ability as a general. He describes him as an
incompetent officer, who could do nothing but command his troops to go
forward, and who gained his victories simply by the excellence of these
troops and not by his conduct of them, as a commander who never ensured
and never knew when to make a retreat, and who, far from improving
the art of war, led it back to its infancy again.[9] The Marquise de
Seiglière in Sandeau's famous comedy does not talk greater nonsense
about Napoleon.
Louis XVIII, on the other hand, is called a prince famed for his
sagacity. We are told that, of all the rulers possible for France at
the moment, he is the one most suited to the position of the country
and the _spirit of the century_, whilst Bonaparte is the one of all
others least fit to reign.
This is what we find in the official pamphlet. But how differently
Chateaubriand thinks and speaks in his Memoirs! In them he does justice
to Bonaparte's military skill; he says of him that "he invented war in
the grand style;" and he has also suddenly discovered that the winning
of one battle after another is no inconsiderable part of the duty of
a general. Because they flatter his own vanity, he relates various
anecdotes which show how Napoleon, unbiassed by his (Chateaubriand's)
hatred, displayed his appreciation of him. After Chateaubriand had
turned against him, Napoleon demanded to be informed by the Academy,
why a prize had not been awarded to the _Génie du Christianisme_. And
when (at Fontainebleau) he had read with perfect calmness the offensive
pamphlet described above, he merely remarked: "_This_ is correct;
_that_ is not correct. I do not blame Chateaubriand. He was my enemy in
my day of prosperity; but those miscreants," &c, &c. Apropos of this,
Chateaubriand makes the amusing and surprising remark: "My admiration
of Bonaparte (this time without the _u_) has always been great and
sincere." He is undoubtedly telling the truth. He admired and envied
Napoleon. He measured himself with him and felt the disadvantage of
having such a contemporary.
In his Memoirs he also tells the truth about those kings for whom he
professed such loyalty and reverence.
Public-domain text, read in full here on John Shaqi.
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