Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
He tells that in 1814 he dreaded the impression likely to be produced
by Louis XVIII's personal appearance, and he gives a copy of the
high-flown description which he in consequence circulated of the King's
entry into Paris, a description which he wrote, he says, without being
asked to do so, and without any taste for such compositions, but
_beautifying everything with the aid of the Muses_. "A man makes his
appearance before the officers, who have never seen him, before the
grenadiers, who hardly know him by name. Who is this man? He is the
King! One and all fall down at his feet."
Then he tells the real facts of the entrance, and calmly remarks: _I
lied with regard to the soldiers_. He gives a fine description of the
attitude of the remnant of Napoleon's Old Guard, who were drawn up
outside Notre Dame, and through whose ranks the King had to pass. "I
do not believe that human countenances ever wore a more terrible and
threatening expression." He declares that they looked as if they were
on the point of cutting the King to pieces.
And he makes no endeavour to show the baselessness of their contempt.
After telling how his plan of defence during the Hundred Days was
foiled by the cowardliness of the King and his immediate following,
he exclaims: "Why did I come into the world _in an age in which I am
so out of place?_ Why have I been a Royalist _against my instinct_ at
a time when a miserable tribe of courtiers would not listen to me,
could not understand me? Why was my lot cast amongst that crowd of
mediocrities who looked on me as a madman when I spoke of courage, as a
revolutionist when I spoke of liberty?"[10]
As the Memoirs advance, the champion of monarchy throws ever more light
upon the piety, understanding, and character of Louis XVIII. "It is
to be feared that to_ the most Christian King's_ religion was no more
than a medicinal liquor, well adapted to form one of the ingredients
of the brew called monarchy." He writes of "the voluptuous imagination
which the King had inherited from his father." He remarks that he was
fond of praising himself and making fun of himself at the same time;
for instance, when speaking of possible heirs to the throne, "he drew
himself up with a capable, arch air; but it was not my intention to
dispute the King's ability in this or any other matter."[11] When
giving a more minute description of Louis's character, he says:
"Selfish and devoid of prejudices, it was his aim to preserve his
own tranquillity at all costs.... Without being cruel, the King was
inhuman." He tells how Louis boasted of being able to raise a favourite
so high as to make him the object of universal envy, and thereupon
remarks: "To be able to raise others, one must be certain of not
falling one's self. But what were kings in the days of Louis XVIII.?
Though they could still make a man rich, it was no longer in their
power to make him great. They were now nothing but their favourites'
bankers."
Public-domain text, read in full here on John Shaqi.
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