Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
She is surprised in Paris by the news of Krüdener's death. She shuts
herself up, full of grief and remorse. It had been "her dream to
return to him once more, ease the burden of years for him, and requite
his unending generosity." It was not long, however, before Madame de
Krüdener issued from her retirement. In her first short stories she
had imitated Saint-Pierre's style. Now her novel was ready. She called
it _Valérie_; her own youthful love affair with Alexander Stakjev had
furnished her with the plot. It is a well-written, sympathetic story,
perceptibly influenced by _Werther_. But Madame de Krüdener was not
satisfied with writing a novel; she wished her novel to be read and
talked of. The manner in which she set herself to ensure that it should
be, shows that at this period she had not, in spite of her attempts
to do so, altogether renounced the world. She was not contented with
the usual stratagems, such as getting one critic after another to
look through the story in manuscript, reading the whole or parts to
select companies of friends, &c, &c,; no--she prepared its success in
a more determined and thorough manner. Her first step was to write as
follows to a friend in Paris, Dr. Gay, an unknown and vain member of
the medical profession, in whose career she had promised to interest
herself:--
" ... I have another favour to ask of you. Will you get some clever
verse-writer to address a little poem to our friend Sidonie (Sidonie
is the heroine in Madame de Krüdener's first short story). I need
hardly ask you to be sure to see that this poem is in as good taste as
possible. The heading is simply to be _À Sidonie_. Sidonie is to be
asked: 'Why do you live in the country, depriving us by this retired
life of your charm and your wit? Does the sensation you have created
not call you to Paris? Only there will your charms and your talents be
admired as they deserve. Your fascinating dancing has been described,
but who is capable of describing all your attractions?' My friend,
it is to your friendship I confide all this; I feel quite ashamed on
Sidonie's behalf, for I know her modesty. You, too, know that she is
not vain. I have more serious reasons than the gratification of petty
vanity for asking you to have these verses written, and for my other
actions. Be sure to say that she lives in great retirement, and that
only in Paris is it possible to meet with appreciation. Take care to
conceal that you have anything to do with this matter. Have the verses
printed in the evening newspaper. It is quite true that Sidonie's
dancing is described in _Delphine_. Read the book; it will interest
you. But remember, it is not to be mentioned in the verses that it is
in _Delphine_ she is described. It is only the heading, _À Sidonie_,
that is to give any clue to the person to whom they are addressed.
Be so kind as to pay the newspaper. I hope to be able to explain my
reasons to you. Send me the number containing the verses as soon as it
comes out.
Public-domain text, read in full here on John Shaqi.
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