Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
There is as much again, but this is enough. Madame de Krüdener's letter
ends: "I send you this elegy, the antique colouring (!) and beauty of
which I admire. I appropriate nothing in it except the sorrow, which
you have correctly observed in me and have desired to alleviate. I
have much more than this to say to you, dear Dr. Gay, much that is
more flattering for you, but I cannot find room for it here, can only
with a grateful heart offer my thanks to your art, your noble art, so
beneficial to humanity (!)."
Dr. Gay then proceeded to rhyme his prose. Madame de Krüdener writes to
him: "Sidonie has requested me to convey her heartfelt thanks to the
kindest of friends. The verses are charming. They are already in print.
What an enviably gifted man he is who wrote them! How easy it is to see
that he is Sidonie's friend! How well he paints what he desires us to
see! In every stroke one feels that it is the soul which has wielded
the brush--and what a noble soul!... Sidonie has also received an elegy
in prose, which you must see, and which she considers exceedingly
beautiful. What talent is displayed in the noble, simple style, and
how one is drawn to the mind which speaks such a language! A few
alterations have been made, very few; you have been most successful in
doing what was desired!"
We observe that Sidonie was not content with writing out a rough draft
of her own encomiums, but that she also corrected the fair copy. Such
proceedings require no comment. The indefatigable doctor composes
more poems, and receives requests to plague this, that, and the other
critic. No importuning was required in the case of the pious historian,
Michaud, who spent thirty years of his life in writing the history
of the Crusades; it was rendered superfluous by the intimacy of his
relations with the authoress; his criticism was an enthusiastic one.
At last Madame de Krüdener is able to write to a friend: "My health
is much improved; I have been at balls eight nights running without
being the worse for it. What happiness! I cannot tell you, my friend,
how much I am made of; poems are showered on me, I am overwhelmed with
attentions, people dispute the privilege of a word with me. It is a
thousand times more than I deserve; but _Providence loves to overwhelm
its children with benefits_, even when they do not deserve them....
I should look upon it as cowardice not to publish a work which in my
opinion is a useful one; therefore I regard the journey to Paris in the
light of _a duty_; for my heart, my imagination, everything, draws me
to the Lake of Geneva."
Public-domain text, read in full here on John Shaqi.
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