Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
To such results did the Neo-Catholic movement lead. But it is to be
noted that these results belong entirely to the domain of political
history, and in no way concern literature. _Every movement continues
to affect the course of general history long after it has ceased
influencing the history of literature_. It affects the latter as
long as it has, not only monarchs, nobles, and bishops, but men of
distinguished intellect and talent in its service. After 1830 this
is no longer the case with the religious reaction in France. The
difference between the reaction in 1820 and the reaction with which
exhausted and unhappy France was visited after the defeats and the
Commune of 1870-71, is that the former vigorous crusade against light
had almost every Frenchman of intellect and talent in its service, in
its army, whilst the latter could not boast of a single supporter with
any literary pretensions.
We have now to see how that first reaction came to an end. It was,
in the first place, attacked from without. The daily press began to
declaim against the spirit of antagonism to enlightenment; Béranger
sang his songs on the subject; one enterprising publisher, Touquet by
name, brought out between the years 1817 and 1824 thirty-one thousand
copies of the works of Voltaire (1,598,000 vols.) and twenty-four
thousand five hundred copies of the works of Rousseau. He was punished
and the sale of his books was prohibited; but this aroused such
exasperation that the _Globe_ prophesied a general apostasy from
Catholicism, whereupon the country was again inundated with the Touquet
editions.
The government next wreaked its vengeance on a master of language,
the rustic simplicity of whose satiric pamphlets proved an effective
offensive weapon.
Paul Louis Courier, born in Paris in 1773, was one of the cleverest
writers of the age. From his father, a rich bourgeois who in his youth
had narrowly escaped being murdered because he had had an amour with a
lady of rank, he inherited a burning hatred of the indolent and haughty
aristocracy. At the age of twenty he entered an artillery regiment and
served in the campaigns of the Revolution, but they only gave him a
loathing of war. From his earliest youth literature had had a strong
attraction for him, especially ancient literature, which he studied as
a philologist. In 1795 he left his regiment, which was then besieging
Mainz, without permission, and occupied himself with translating Latin
authors. In 1798 we find him again in the army, in Italy; presently
he is studying in Paris; then he returns to Italy in command of a
squadron of artillery. He keeps quiet during the Empire, and after its
fall lives the life of an agriculturist and Hellenist on his farm in
Touraine.
Public-domain text, read in full here on John Shaqi.
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