Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was the persecution by the victorious clerical party of every
countryman, however insignificant, in whom they detected an enemy,
which induced Paul Louis Courier to appear before the public as an
author. In 1816 he wrote a _Petition to the Two Chambers_, employing
for the first time that plain, shrewd rustic style which, with the
purest Greek models in view, he was so successful in acquiring. In
simple, clear, always moderate language he tells of the injuries
inflicted by clerically disposed provincial tyrants upon unfortunate
peasants guilty of not having taken off their hats to a priest or of
having "spoken ill of the government." He confesses that there is
probably a good foundation for the accusations, since in his part of
the country the priests are not popular, and very few people know what
the _government_ is. Then he shows how imprisonment for six months
without a proper trial, and misery, sickness, and death brought upon
the children and other relatives of the prisoners, are the punishment
for perfectly trifling offences. Forty gendarmes are sent to a village
directly it falls under the suspicion of "Bonapartism"; the suspected
persons are taken naked from their beds and fettered like criminals.
"They are carried off; their relations, their children would have
followed them, if it had been permitted by authority. _Authority_,
Messieurs! that is the great word in France.... Everywhere we see
inscribed: _Not reasons, authority_. It is true that this authority is
not the authority of the councils or of the fathers of the church, much
less of the law; but it is the authority of the gendarmes, and that is
as good as any other."
Courier did not write books, or even what we generally call pamphlets.
He produced his effect with tracts of a few pages. In these, with
apparent naïve downrightness, in reality with consummate satiric art,
he kept up an agitation against the rule of the hereditary monarchy
until his assassination in 1825.
Public-domain text, read in full here on John Shaqi.
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