Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Son éloquence à ces rois fit l'aumône:
Prodigue fée, en ses enchantements
Plus elle voit de rouille à leur vieux trône,
Plus elle y sème et fleurs et diamants.
Mais de nos droits il gardait la mémoire.
Les insensés dirent: Le ciel est beau.
Chassons cet homme, et soufflons sur sa gloire,
Comme au grand jour on éteint un flambeau.
Victor Hugo addressed a eulogistic and consolatory ode to him (livre
iii. ode 2) containing such sentiments as: Was a court the place for
you? and: What can be more beautiful than a laurel scathed by lightning?
Chateaubriand's defection was a fatal blow to the monarchy by the grace
of God. As long as the illusions of the restoration lasted, the poets
of France were _Immanuelistic_ and saw a guardian angel beside every
cradle and every bier. With Chateaubriand's illusions vanished the
illusions of all the rest, and the Immanuelistic school was succeeded
by one to which Southey gave the name of _Satanic_, a name which it
accepted--a school with a keen eye for all that is evil and terrible, a
gloomy view of life, and a tendency to rebellion.
But while the minds of Frenchmen were still occupied with this
unexpected and momentous event, there occurred a more momentous event,
which stirred the whole world, namely, Byron's death in Greece.
The news of Byron's death raised the enthusiasm for the first war of
liberation that had been fought since the Revolution to fever heat.
A new ideal was conceived by the human mind. With Napoleon the glory
of energy had passed away, and the heroes of action had for a time
disappeared from the earth. Human enthusiasm was, as has been said, in
the plight of a pedestal from which the statue has been removed. Byron
took possession of the vacant place with his fantastically magnificent
heroes. Napoleon had supplanted Werther, René, and Faust; Byron's
Promethean and despairing heroes supplanted Napoleon. Byron was in
marvellous accord with the spirit and the cravings of the age. Orthodox
dogmas had in the early years of the century overcome revolutionary
and free-thinking principles; now orthodoxy was in its turn undermined
and obsolete. There was at this moment no future for either
thorough-going unbelief or thorough-going piety. There remained doubt,
as doubt--_poetic_ Radicalism, the thousand painful and agitating
questions concerning the goal and the worth of human life. These were
the questions which Byron asked.
But he did not ask indifferently. It was the spirit of rebellion which
asked with his voice, and which through his voice made of the young
generation in all lands one cosmopolitan society. They united their
voices with his in the cry:
.... Revolution
Alone can save the world from hell's pollution.
Public-domain text, read in full here on John Shaqi.
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