Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
His death did far more to advance the cause of liberty in general than
his life. Under the restored monarchy by the grace of God society had
been reduced to an extreme of believing subjection to authority, of
slavish subjection to theology, of dutiful subjection to power--to
an extreme of supineness and hypocrisy. That monarchy was rotten to
the core, but supported outwardly by superstition and bayonets. In
England Bentham, the Radical philosopher, ashamed to see the reaction
successful even in that most advanced of countries, had tried to
undermine it by appealing to men's _interests_. Byron let loose all the
_passions_. His attack was not directed at any one point; he aimed at
revolutionising men's minds, at awaking them to the sense of tyranny.
The politicians of the Holy Alliance period believed that they had
bound the spirit of the Revolution in everlasting chains, that they had
broken, once and for all, the link which united the nineteenth century
to the eighteenth. "Then this one man tied the knot again, which a
million of soldiers had hewn through. American republicanism, German
free-thought, French revolutionism, Anglo-Saxon radicalism--everything
seemed combined in this one spirit. After the Revolution had been
suppressed, the press gagged, and science induced to submit, the son of
imagination, the outlawed poet, stepped into the breach," and called
all vigorous intellects to arms again against the common enemy.[5]
The restored monarchy does not really survive him. The principle of
authority has never had a more inveterate opponent.
In literature the French reaction begins in the name of _feeling_ with
Madame de Staël and the whole group of writers connected with her; in
society it begins in the name of _order_ with Robespierre and those
revolutionists who were his associates. Madame de Staël and Robespierre
have this in common, that they are both pupils of Rousseau. After the
reaction against Voltaire comes the reaction against Rousseau. On the
festival of the Supreme Being follows the great Te Deum in Notre-Dame;
on Madame de Staël follows Bonald. The principle of feeling is ousted,
or employed, as in the writings of Chateaubriand, to support authority;
the principle of order is merged in the principle of authority, which
soon controls every domain of life and literature. This principle is,
as it were, personified in the first group of reactionaries, led by
Joseph de Maistre and Bonald. It has its epic in _Les Martyrs_, and the
idea of order reigns in its poets' descriptions of heaven, of hell, and
sometimes even of terrestrial scenery. It has its political monument in
the Holy Alliance. The supernatural everywhere supplants the natural.
We have not only seraphic epic, but also seraphic lyric poetry,
seraphic love, pious pilgrimages, and seraphic predictions and visions.
Public-domain text, read in full here on John Shaqi.
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