The poets, who were in reality influenced by the same ideas as the scientists, and were as far as they from conceiving of style as the direct outcome of the personality, set themselves to work to fabricate style, and spoke of it as we speak of the music composed for any given libretto. They looked upon the art of writing as a perfectly external art, and the descriptive school, with Delille at their head, took unpoetic themes--physics, botany, astronomy, sea-voyages--and out of them manufactured style. (See poetical works of Boisjolin, Gudin, Aimé Martin, and Esménard.) Cournand actually wrote a poem in four cantos on style itself and its various species. Poetry was regarded as an artificial form communicated to the matured thought. This was the idea which Buffon had contradicted in his notable proposition: _Le style c'est l'homme même_, a proposition which was presently to become the most hackneyed of quotations, inevitable whenever the subject of style was broached, and employed by none so frequently as by those who were neither men nor possessors of style.[7] The poets of the eighteenth century derived their conception of the nature of poetry from their own practice. As their own poetry, their own language, was not a natural product, but the result of labour and the observance of certain rules respecting elegance of expression, choice of similes, and employment of mythology, they naturally believed that language and thought originated independently of each other. When Bonald, in opposition to their theory, propounds his, namely, that language and thought cannot be separated--the theory upon which (in his principal work, _La législation primitive_) he founds his whole system--he is unquestionably in the right. But this doctrine meets with the same fate as other doctrines propounded by the restorers of the past; the disease of orthodoxy from which the author suffers causes him to twist and turn every true thought until he makes a perfect monster out of it. "The answer to the vital question regarding the intellectual life of man may," says Bonald, "be given in the following form: Man must think his words before he speaks his thought. In other words, man must know the word before he speaks it, which self-evident fact excludes all possibility of his having himself invented language." Thus Bonald arrives at the favourite theory of the nineteenth-century reactionaries, namely, that language was originally given to man by God. Kierkegaard expresses the same idea when he declares that it cannot possibly be conceded that man himself invented language (_On the Idea of Fear_). Why? Because it was revealed to him by God, ready made.