Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Transferred to the domain of society, Naturalism becomes, as it did
in Rousseau's case, revolutionary; and beneath that attachment to the
soil, and that delight in encountering and mastering the fitful humours
of the sea, which are the deep-seated causes of Naturalism, there is
in the Englishman the still deeper-seated national feeling, which,
under the peculiar historical conditions of this period, naturally led
the cleverest men of the day in the direction of Radicalism. No nation
is so thoroughly penetrated by the feeling of personal independence
as England. This is best seen in the Englishman abroad; it is with a
flourish of trumpets that he proclaims himself to be an Englishman.
It is the transmission of this independence and self-sufficiency
to English literature which has at decisive moments made its art a
"character-art"; and at the period under consideration it is this
peculiar quality which, asserting itself, actually produces the new
movement in the literature of Europe. It took an Englishman to do what
Byron did, stem alone the stream which flowed from the fountain of the
Holy Alliance--in the first place, because only an English author would
have had the audacity to do it, in the second, because at that time
only English literary men had the strong political tendency and the
keen political intelligence which have always distinguished the first,
possibly the only, parliamentary nation. And an Englishman, too, was
needed to fling the gauntlet boldly and defiantly in the face of his
own people. Only in the haughtiest of nations were there to be found
great men haughty enough to defy the nation.
Public-domain text, read in full here on John Shaqi.
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