Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
There was plenty of fantasticalness in practical matters in the English
poets, too; but there undoubtedly is more practicality in their
morality and their view of life than in those of the poets of other
nations. There are a few more grains of sound sense in their works.
They are, one and all, distinguished by a strong _desire for justice_.
Wordsworth inherits it from Milton; Campbell, Byron, and Shelley feel
it intuitively, and are ready in the strength of the feeling to defy
the world. It plays no part, this feeling, in the life of Byron's great
German predecessor, Goethe, or of his richly gifted French successor,
De Musset. Neither of these ever summoned monarchs and governments
before the tribunal of justice. But what is peculiarly English is, that
this justice of which the Englishmen dream is not, like that which
Schiller, for instance, worships, a cherished, preconceived idea, but
a child of utility. To prove this let us take a poet as ethereally
idealistic as Shelley, and we shall see that even his morality is as
distinctly utilitarian as Bentham's and John Stuart Mill's. Here is a
striking passage taken from the second chapter of his _Speculations on
Morals_:--"If a man persists to inquire _why_ he ought to promote the
happiness of mankind, he demands a mathematical or metaphysical reason
for a moral action. The absurdity of this scepticism is less apparent,
but not less real than the exacting a moral reason for a mathematical
or physical fact." In the maxim, "the greatest happiness of the
greatest number," and in the profound, practical desire for justice,
which is its psychological basis, we have the real point of departure
of the Radicalism of English poetry during the period of the great
European reaction.
[1]
Should you feel any touch of poetical glow
We've a Scheme to suggest--Mr. Scott, you must know,
Having quitted the Borders, to seek new renown
Is coming, by long Quarto stages, to Town.
And beginning with Rokeby (the job's sure to pay)
Means to _do_ all the Gentlemen's Seats on the way.
Now the Scheme is (though none of our hackneys can beat him)
To start a fresh Poet through Highgate to meet him;
Who, by means of quick proofs--no revises--long coaches,
May do a few Villas, before Scott approaches.
Moore: _Intercepted Letters_, No. 7.
III
THE POLITICAL BACKGROUND
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