Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
His first proceedings in Venice were to engage a gondola and gondolier,
a box at the theatre, and a mistress. The last was easily found. He
had taken apartments in the house of a merchant, whose wife, Marianna
Segati, then aged twenty-two, he describes as having large, black,
Oriental eyes and being in "appearance altogether like an antelope."
She and Byron became so enamoured of each other, that Byron allowed
Hobhouse to go on alone to Rome. "I should have gone too," he writes,
"but I fell in love, and must stay that over." The young beauty
compelled him to join, in her company, in all the distractions of the
Carnival. He devoted his nights, like the born Venetian, to pleasure;
but in his fear of becoming stout, he adhered to his usual extremely
sparing diet, ate only vegetables and fruit, and was obliged to drink
large quantities of his favourite beverage, rum and water, to keep up
his strength. For he was completing _Manfred_ at this time. We receive
a sad impression of the aimlessness of his life when we read that,
to counterbalance all the distractions, to give his days a centre of
gravity, he spent several hours of each at the Armenian monastery of
San Lazaro, learning Armenian from the monks. The mornings were devoted
to this, the afternoons to physical exercise, chiefly riding. He had
his horses brought to Venice, and with Shelley and other friends used
to cross over to the Lido and ride there.
We have a reminiscence of the talk during these rides in Shelley's
_Julian and Maddalo_. At sunset he and Byron see on one of the islands
a dreary, windowless pile, rising in dark relief against the flaming
sky behind it. They hear, clanging from the open tower on the top of
the house, the iron tongue of a bell. Said Byron:--
"What we behold
Shall be the madhouse and its belfry tower,
. . . . . . . . . . . and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell
To vespers . . . . . . . . . . . .
And like that black and dreary bell, the soul
Hung in a heaven-illumined tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and pray--as madmen do
For what--they know not."
No better image of Byron's own life at this period could be desired.
Most assuredly at this time his longings and desires were like maniacs,
all gathered together only once a day by the bell of the madhouse.
Public-domain text, read in full here on John Shaqi.
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