Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was with difficulty, after being ill with a sharp fever, contracted
in the unhealthy air of Venice, that he tore himself away from Marianna
Segati long enough to pay a short visit to Ferrara and Rome. After his
return, however, his violent passion for her subsided, as he began to
discover that she sold the jewellery he gave her, and made as much
profit generally as she could, out of her position as his mistress.
During the first part of his stay in Venice, Byron had mixed much in
the refined society which had its chief meeting-place at the house of
the cultivated, literary Countess Albrizzi; now he withdrew himself
entirely from its restraining influence. He rented for himself and his
menagerie a magnificent palace on the Grand Canal. This palace soon
became a harem, in which the favourite sultana was a beautiful young
woman of the lower orders, Margarita Cogni, who, from the circumstance
of her husband being a baker, was called Byron's Fornarina. Her face
was of "the fine Venetian cast of the old time"; her figure, though she
was perhaps rather tall, was also fine, and exactly suited the national
dress. She had all the naïveté and droll humour of the Venetian lower
classes, and, as she could neither read nor write, she could not plague
Byron with letters. She was jealous; she snatched off the masks of
ladies whom she found in Byron's company, and she sought his presence
whenever it suited her, with no great regard to time, place, or
persons. He writes: "When I first knew her, I was in 'relazione' with
la Signora, who was silly enough one evening at Dolo, accompanied by
some of her female friends, to threaten her.... Margarita threw back
her veil (fazziolo), and replied in very explicit Venetian, '_You_ are
_not_ his _wife_. _I_ am _not_ his _wife_: you are his Donna, and _I_
am his _Donna_: your husband is a _becco_, and mine is another. For
the rest, what _right_ have you to reproach me? If he prefers me to
you, is it my fault?' Having delivered this pretty piece of eloquence,
she went on her way, leaving a numerous audience with Madame ----
to ponder at her leisure on the dialogue between them."[1] In time
Margarita established herself as housekeeper in Byron's house, reduced
the expenses of the establishment to less than half, marched about in
a gown with a train, and wore a hat with feathers (articles of dress
which had been the height of her ambition), beat the maids, opened
Byron's letters, and actually studied her alphabet in order to be able
to detect which of them were from ladies. In her wild way she loved
him; her joy at seeing him return safe from a sail in which his boat
had been caught in a storm, was that of a tigress over her returned
cubs. Her ungovernableness increased to such an extent that Byron was
obliged to tell her that she must return home. After trying to attack
him with a knife, she threw herself in her anger and despair into the
canal. She was rescued and sent home, and Byron wrote her story at full
Public-domain text, read in full here on John Shaqi.
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