Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The hatred of the Revolution prolonged itself into hatred of Napoleon.
This last went beyond all reasonable bounds. Thackeray tells an
anecdote which gives an idea of its character. "I came," he writes,
"from India as a child, and our ship touched at an island on the way
home, where my black servant took me a long walk over rocks and hills
until we reached a garden, where we saw a man walking. 'That is he',
said the black man: 'That is Bonaparte! He eats three sheep every
day, and all the little children he can lay hands on.'" And Thackeray
adds: "There were people in the British dominions, besides that poor
Calcutta servingman, with an equal horror of the Corsican ogre." We
have it strong in Wordsworth's sonnets, Southey's poems, and in Scott's
notorious "Life of Napoleon." The wars with France inaugurated the
great British reaction--repeated suspension of the Habeas Corpus Act,
extension of the definitions of treason contained in the old statutes
of Edward III., encroachments on the right of public discussion and
petition, and also on the virtual liberty of the press. In Scotland,
more particularly, barbarous old statutes were revived, and highly
cultured men were banished as common convicts to the Australian penal
settlements. Those in power were not afraid, in addressing the English
republicans and advocates of equality, to talk of the absolute power of
the sovereign, and of the comparative insignificance of Parliament and
the representatives of the people. An all-powerful party was formed,
with the watchword: The King and the Church!
The King himself was insane, the Prince Regent worse than insane, and
the Church hypocritical. In 1812 came floods, a failure of the harvest,
and famine. Starvation drove crowds of the poor classes from their
homes, to wander aimlessly about the country. Expression is given to
their mood in Shelley's _Masque of Anarchy_. The workmen of Nottingham,
in their despair, broke into the lace-factories and destroyed the
frames. It was in defence of these men that Byron made his well-turned
maiden speech in Parliament.
Public-domain text, read in full here on John Shaqi.
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