Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Hence we find Scott, the true Scotchman, showing preference, as a
ballad-writer, for the legends which treat of the exploits of his own
ancestors or kin, and in his private life exhibiting strong family
feeling. He was a model son and husband; he was, as his letters to his
eldest son show, a devoted father; in the education of his children
he neglected neither body nor soul--though his chief requirements of
them seem to have been the ancient Persian ones, that they should
ride well and speak the truth; but his conception even of these
relations was not modern. In his private life as in his poetry, the
family was more to him than the individual. He had a brother, Daniel
by name, who fell into bad habits, and, though he never did anything
actually dishonourable, was a disgrace to the family. Scott procured
a small appointment in the West Indies for this brother, but in his
correspondence about him never called him anything but "relation,"
and also required of him that he should never divulge the nearness of
the relationship. He refused to see Daniel when the latter returned
to Scotland, never mentioned his name, and would neither attend his
funeral nor wear mourning for him. Such behaviour as this shows the bad
side of the society-preserving virtues. It is not surprising that the
man who, with all his tender-heartedness, could sacrifice so much on
the altar of "family," was unable to become the poet of personality,
and was stamped as of the past the moment Byron appeared.
In 1802 the _Edinburgh Review_ was founded. Scott was a contributor
to it from the beginning. Its editor was his fellow-countryman,
Jeffrey, a man whose critical pronouncements were regarded as of the
utmost importance by the authors of the day, though his only gift
as a critic was a kind of untrained, straightforward common-sense.
Scott's contributions ceased in 1809, when, dissatisfied with the
liberal-minded attitude assumed by the _Edinburgh Review_ in the
Catholic question, and annoyed by Jeffrey's disparaging notice of
_Marmion_, he founded the _Quarterly Review_.
Public-domain text, read in full here on John Shaqi.
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