Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
To understand this feeling properly, we must remember the smallness
of the nation in comparison with its great neighbour. When we learn
that in the year 1707 the entire population of Scotland did not
exceed a million, we understand what concord, what determination,
what defensive pugnacity, were imperative in the less numerous race
if its individuality was not to be flooded out or stamped out by the
other. Thus it came about that bleak and rugged Scotland, as compared
with verdant, fertile England, was the object of a very special love
and admiration; its hills, its moors, its mists, inspired an almost
martial patriotism. And it is therefore not surprising that, at the
period when the spirit of nationality was breaking forth into poetry
all over Europe, this country should produce a great descriptive,
great narrative, poet--that it should be Scotland which brings forth
the first and the most vigorous fruits of historical, ethnological
Romanticism. What more natural than that an author in such a country
as Scotland should be deeply interested in the peculiar customs of the
Highlanders, and take pleasure in describing them in their picturesque
garb! What more natural than that the man whose very name seemed to
stamp him as a personification of his country, should endeavour, by
recalling its great historical achievements in the past, to efface, as
it were, the impression of its smallness and present insignificance!
Scottish national feeling was, then, in the first instance,
distinguished by its solidarity; the subordinate nation felt itself
more one than the greater nation; there were fewer conflicting
interests at work within it. Scott frequently describes this strong
feeling of kinship among his countrymen--nowhere more beautifully than
in the _Heart of Midlothian_ the poor peasant heroine of which is
encouraged by it to apply for help to the Duke of Argyle almost as if
he were a relative. But Scottish national feeling possessed another
distinguishing feature; being, in its character of attachment to an
ancient; once entirely independent, state, itself a tradition, it was
related to every other old tradition. This explains Scott's exaggerated
reverence for royalty, its emblems and appurtenances. When he was a
member of the Commission entrusted to institute a search after the
ancient regalia of Scotland, the discovery of it filled him with such
reverential emotion that, when one of the other Commissioners proposed
to try the crown on a young lady's head, he could not help shouting:
"By God, no!"
The first great feeling of separate nationalism brought in its train a
whole host of new separative feelings. If there were not many nations
that rivalled the Scotch in the way they held together as a people,
there were still fewer that could show such inward division into
parties and camps. The individual's feeling of his public duty did not
begin with the nation, but with the tribe, the clan, nay, the family.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account