Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
He had hoped much from the Constitutional Monarchy. He had expected
from it, or under it, an art-loving court, a liberal policy, a revival
of national glory, and a blossoming time in literature. We can imagine
his disappointment. It is not impossible that a court with a keen
appreciation of literature and art might have exercised a saving
influence upon Alfred de Musset, have drawn him into its circle,
compelled him to preserve his self-respect, and made his pleasures,
and even his excesses, more refined. But Louis Philippe, that polished
and well-educated peace-lover, had no real love of literature and no
literary taste. He was even less capable of attaching Alfred de Musset
than Victor Hugo to himself. De Musset wrote a sonnet on the occasion
of Meunier's attempt to assassinate the King, in 1836. It was not
printed, but the Duke of Orleans, who had been a school-fellow of De
Musset's, saw it, thought it excellent, and read it to His Majesty.
The King never knew who had written it; as soon as he heard that the
author presumed to address him in the second person singular, he became
so indignant that he would hear no more. To make amends for this
slight, the Duke procured De Musset an invitation to the court balls.
When the poet was presented to Louis Philippe, he was astonished by
the reception he met with. The King came up to him with a smile of
pleasant surprise and said: "You have just come from Joinville; I am
very glad to see you." De Musset had too much _savoir-vivre_ to betray
any surprise. He made a low bow and tried to think what the King's
words could mean. At last he remembered that a distant relation of his
was inspector of forests on the crown property of Joinville. The King,
who did not burden his memory with the names of authors, had a perfect
acquaintance with all the names of the officials in charge of the crown
lands. Every winter for eleven years in succession he saw the face of
his supposed forest-inspector with the same pleasure, and favoured him
with such gracious nods and smiles that many a courtier turned pale
with envy. The honour was supposed to be shown to literature; but this
much is certain, that Louis Philippe never knew that there lived in
France during his reign a great poet who bore the same name as his
inspector of forests.
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