Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"Sometimes," writes Gautier, "he would come to my house in the morning,
groaning, exhausted, dizzy with the fresh air, like a Vulcan escaped
from his forge, and fling himself down on the sofa. His long night's
work had made him ravenously hungry, and he would pound sardines and
butter into a kind of paste which reminded him of a dish he had been
accustomed to at home, and which he ate spread upon bread. This was
his favourite food. As soon as he had eaten he would fall asleep,
begging me, before he closed his eyes, to wake him in an hour. Paying
no attention to this request, I took care that no noise in the house
should disturb this well-earned slumber. When he awoke at last and saw
the evening twilight spreading its grey shadows over the sky, he would
jump up and overwhelm me with abuse, call me traitor, robber, murderer.
I had been the means of his losing 10,000 francs, for he would have
earned as much as that with the novel which he would have planned if
he had been awake, even leaving possible second and third editions out
of the question; I was causing the most terrible catastrophes and most
inconceivable complications; I had made him miss appointments with
financiers, publishers, duchesses; he would not be in a position to
meet his engagements; this fatal sleep would cost him millions....
I was consoled by seeing the fresh Touraine colour returning to his
cheeks."
When, taking Charles de Lovenjoul's bibliographical work as a guide,
we follow Balzac's labours week by week; when we see from his own
letters how, never allowing himself to be distracted by those Parisian
gaieties in which he nevertheless often took part, nor to be scared by
the literary cannonades of his frequently envious critics, he steadily,
stone by stone, raised the pyramid of his life's work, determined to
make it as broad and as high as possible, we are inspired by a feeling
of respect for the man and his courage. The good-natured, stout, noisy
Balzac was no Titan; indeed, in that generation of heaven-storming
Titans and Titanesses he appears a peculiarly earth-bound creature.
But he is of the race of the Cyclopes; he was a mighty master-builder
who worked with a giant's strength; and the uncouth, brick-laying,
carpentering Cyclops raised his building as high as the two great lyric
geniuses of the day, Victor Hugo and George Sand, mounted on their
wings.
Public-domain text, read in full here on John Shaqi.
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