Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
A certain something in his character is traceable to the influence of
the province in which he was born and in which his family had been
settled for at least two centuries. The natives of Dauphiné are a keen,
obstinate, argumentative race, as different from their neighbours of
Provence as they are from the Parisians. The Provençal gives noisy or
eloquent expression to his feelings; he rails and curses when he is
angry or hurt; the Parisian is polite, witty, brilliantly superficial;
the character of the native of Dauphiné is distinguished by a peculiar
obstinacy; there is both depth and refinement in it; he remembers
an insult and avenges it, but his anger never finds vent in abusive
language. Beyle's mother, who read Dante and Ariosto in the original, a
very uncommon accomplishment for a provincial lady in those days, was
understood to be of Italian descent. This may in part explain Beyle's
strong leaning to everything Italian; but it is also to be remembered
that until 1349 Dauphiné did not form part of France, and was in its
politics a semi-Italian state. It was one of Beyle's fancies that Louis
XI, who, as Dauphin, governed the little country for several years, had
imparted to its inhabitants something of his own distinguishing quality
of prudence, of distrust of first inspirations. Improbable as this is,
the surmise is in itself characteristic.
Circumstances early intensified the tendency to distrust with which
Henri's home life had imbued him. When he at last attained to the
liberty after which he had so long aspired, that is to say, when he
was sent to school, a bitter disappointment awaited him. The little
strong, thick-set, heavily built boy with the bright, speaking face
(nicknamed "the walking tower" on account of his determined step,
herculean limbs, and round Hercules head) was, in spite of the ironic
expression of his mouth, an enthusiast. And in his schoolfellows he did
not find the gay, amiable, noble-minded comrades he had pictured to
himself, but a troop of selfish young whelps. When telling his friend
Colomb this, he added: "It was a disappointment which has gone on
repeating itself throughout my whole life." "Nor was I any luckier,"
he continued, "in the impression I made on my schoolfellows; I can see
now that I displayed a ridiculous mixture of haughtiness and desire to
amuse myself. To the other boys' coarse selfishness I responded with
my Spanish hidalgo ideas of honour; and I was overwhelmed with despair
when they went off to play together and simply ignored me." Compare
this utterance with the bitter disappointment of young Fabrice (in
_La Chartreuse de Parme_, published in 1839), when, during the battle
of Waterloo, he begs some soldiers whom he meets for a piece of bread
and is answered with a coarse jest: "These cruel words and the general
laugh which followed were too much for Fabrice. War was not, then, it
appeared, that noble, mutual impulse of souls who loved glory above
Public-domain text, read in full here on John Shaqi.
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