Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
But whether the personages described be eminently or only ordinarily
gifted human beings, the manner in which their inner life is revealed
is unique. We not only see into their souls, but we perceive (as in the
writings of no other author) the psychological laws which oblige them
to act or feel as they do. No other novelist offers his readers so much
of the pleasure which is produced by perfect understanding.
Madame de Renal loves Julien, her children's tutor. We are told that
"she discovered with shame and alarm that she loved her children more
than ever _because they were so devoted to Julien_." Mathilde de la
Mole tortures Julien by confiding to him her feelings for her former
lovers. "If molten lead had been injected into his veins he would not
have suffered so much. How was the poor fellow to guess that it was
_because she was talking to him_ that it gave Mademoiselle de la Mole
so much pleasure to recall her flirtations with Monsieur de Caylus and
Monsieur de Luz?" Both these passages elucidate a psychological law.
Julien has entered the Church from ambitious motives, and secretly
detests the profession he has embraced. On the occasion of some
festival he sees a young bishop kneeling in the village church,
surrounded by charming young girls who are lost in admiration of his
beautiful lace, his distinguished manners, and his refined, gentle
face. "At this sight the last remnant of our hero's reason vanished.
_At that moment he would, in all good faith, have fought in the cause
of the Inquisition_." The addition "in all good faith" is especially
admirable. A parallel passage is to be found in _La Chartreuse_. After
the death of a Prince whom he has always despised and who has actually
been poisoned by his (Mosca's) mistress, Mosca has been obliged to
put himself at the head of the troops and quell a revolt against the
young Prince, whose character is as despicable as his predecessor's.
In the letter in which he communicates the occurrence to his mistress,
he writes: "But the comical part of the matter is that I, at my age,
actually had a moment of enthusiasm whilst I was making my speech to
the guard and tearing the epaulettes from the shoulders of that coward,
General P. _At that moment I would, without hesitation, have given my
life for the Prince_. I confess now that it would have been a very
foolish way of ending it." In both these passages we are shown with
remarkable sagacity how an artificial enthusiasm dazzles and is, as it
were, caught by infection.
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