Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
No other novelist approaches Beyle in the gift of unveiling the secret
struggles of ideas and of the emotions which the ideas produce. He
shows us, as if through a microscope, or in an anatomical preparation
where the minutest veins are made visible by the injection of colouring
matter, the fluctuations of the feelings of happiness and unhappiness
in acting, suffering human beings, and also their relative strength.
Mosca has received an anonymous letter which tells him that his
mistress loves another. This information, which he has several reasons
for believing to be correct, at first utterly unmans him. Then, as a
sensible man and a diplomatist, he involuntarily begins to take the
letter itself into consideration and to speculate as to its probable
writer. He determines that it has been composed by the Prince. "This
problem solved, _the little feeling of pleasure produced by the
obviously correct guess_ was soon effaced by the return in full force
of the painful mental apparition of his rival's fresh, youthful grace."
Beyle has not neglected to note the momentary interruption of the
pangs of jealousy by the satisfaction of discovery.--In the course
of a few days Julien is to be executed. Meanwhile he is receiving
constant visits from the woman he loves, but from whom he has been
separated for years, and is absorbed by love to the exclusion of all
thought of his imminent fate." One strange effect of this strong and
perfectly unfeigned passion was _that Madame de Renal almost shared
his carelessness and gentle gaiety_. This last bold touch speaks to me
of extraordinarily profound observation. Beyle has correctly felt and
expressed the power of a happy, absorbing passion to banish all gloomy
thoughts (even the thought of certain death) as soon as they attempt to
intrude themselves; he knows that passion wrestling with the idea of
approaching calamity renders it powerless, when it does not succeed in
dismissing it as utterly incredible. It is such passages as these which
make other novelists seem shallow in comparison with Beyle.
Public-domain text, read in full here on John Shaqi.
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