Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The inner life of this man, as revealed by his books, is by no means
so simple. The character of the youth who went out into the world at
eighteen was composed of many conflicting elements. He was exceedingly
proud; bold and bashful at the same time. He had an audacious
intellect and a shy, reserved disposition. To conceal the shyness,
which wounded his pride, he assumed either a stiff, cold manner, or
an appearance of frivolity tinged with cynicism. This cynicism became
a kind of mannerism with him in conversation with men. As a youth
he was certainly not so suspicious and reserved as he afterwards
became, but it is a mistake to attribute his general scepticism to
any one particular disappointment. He met, like the rest of us, with
many disappointments, and was often roughly disillusioned; he was
deceived by friends, sacrificed by the woman he loved (d'Haussonville
gives particulars in the _Revue des deux Mondes_, 15th August
1877); he learned to know the world, learned that life is warfare,
and that a man has not only to protect himself against false and
untrustworthy friends, secret and open enemies, but also against
those who, as he himself puts it, "do evil for evil's sake." But if
the germs of suspicion had not been in him from the first, a dozen
consecutive bitter experiences would not have cured him of faith in
his fellow-men; for the man of a trustful nature has always had at
least an equal number of contrary experiences which outweigh the
others. But Mérimée's nature was as critical as it was productive, and
men of his character are apt to make the rule by which we judge the
professional critic--that he only deserves trust in proportion as he
shows distrust--the rule of their lives. We can imagine the suffering
which his own poetic impressionability entailed on a man with Mérimée's
highly developed critical sense.
Public-domain text, read in full here on John Shaqi.
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