Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The critical temperament is above everything truthful; and Mérimée was
remarkably so. His natural audacity, moreover, impelled him to say
exactly what he thought, regardless of conventionalities. One sees
from his letters how frank he was by nature, how inclined to speak the
undisguised truth, and how impatient of conventional falsehoods and
even of alleviating or embellishing circumlocutions. This is especially
noticeable in the first volume of _Lettres à une inconnue_. Even in
these love-letters Mérimée is almost rude when it seems to him that
the object of his affections has expressed some merely conventional
opinion. Though his fear of ridicule and his ever-increasing scepticism
did not dispose him to knight-errantry or lead him to court martyrdom,
he nevertheless, in his fiftieth year, committed a chivalrous folly
of which most men of the world would only be capable in their extreme
youth. When his friend, the notorious Libri, was found guilty of having
abused his position as public librarian to the extent of appropriating
and selling a number of valuable books belonging to the nation,
Mérimée, unable to believe Libri capable of such an action, undertook
his rehabilitation with an ardour worthy of a better cause, and
attacked the committee of investigation and the judges in an article
in the _Revue des deux Mondes_ (April 15, 1852), the sparkling wit of
which recalls Paul Louis Courier's pamphlets. A professed Don Quixote
could not have acted more foolishly; nor is the case much altered
if what the initiated maintain is true, namely, that his ardour was
inspired rather by Madame Libri than by her husband.
Under the Empire, and even as a courtier, Mérimée preserved his freedom
of speech. I am not referring to the fact that he, as a rule, spoke
disparagingly of Napoleon III., which is not particularly to his
credit, seeing that he accepted office under that prince's government;
but even in conversation with members of the Imperial family he
combined frankness with courtesy. Writing in July 1859, he tells that
the Empress had asked him in Spanish what he thought of the speech made
by the Emperor on his return from Italy. "In order," he writes, "to be
both straightforward and courtier-like, I answered, '_Muy necesario!_'
(Very necessary)."
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